What is she gazing down upon?
What is she, thinking and what is she feeling?
By inferring, or hinting at things just outside their view, my objective is to engage the viewer more.
Sketches Fast and Loose
Photographs often, though not always, spell out a subject with exact precision. Recording textures, veins, size, color, width, weight. Documenting location, species and the individual. And some types… of art styles do as well.
Which is great, when that is what is called for. When that is the feeling you are wanting to convey.
A cataloguing of the details.
However, its different with fast, five or ten minute sketches.
Sketches done on the fly, capture the mood and essence of the thing.
Conveying the ‘feeling.’
Rather than struggling to achieve 5 star wonders with ‘complexities.’
I feel, Subjects are more authentic, truer to their essence, when at rest. At ease.
When allowed to be in a natural setting.
In nature. Out in the forest, sitting amongst the rocks and logs. Being at home upon the banks of the river.
These poses, can give the viewer more. Whether its in the form of photography, sketches, drawings, paintings, or other art forms.
This sketch, reflects this.
The limited palette of earthy browns and forest green, simple yet sufficient. Hinting at woodland themes. My subject sat leaned up against the tree logs and branches, head tucked.
Maybe she was the young mother, or older sister, or aunt. Who knows? But she kept an eye on the child in pink. An active one at that.
The hike there, to the bridge was fun. OK a challenge! But obviously, the child in pink still had plenty of go. Her watcher…. not so much. I smiled.
Using this format, and this pose as well “downward gaze” shifts the viewers minds. To make them, ponder a bit.
Make the Viewer … Wonder
Take the viewer out of the little box where it is all explained already and nothing has been left unsaid. Take them out the world they are currently in, and help them to imagine the world this subject resides in.
Allude to mysteries and things around the corner.
Hint of magic yet to come.
Contemplations of the River
If a book has been so well explained and summarized, there is nothing new or exciting left to be revealed by looking further in the book, we will not.
So too with our art.
With our paintings, sketches, drawings, photographs. We will look for the exact time that it takes to define the plot.
And then, we move on. Period.
I think, as an artist, I prefer to try to keep the viewer wondering. Just a bit.
Wandering through the scene, through the book… looking for, more.
I do not, want my art to be ‘all spelled out’ and perfectly revealed in every fine detail.
No. I’d like there to be a lovely fusion of lots of soft edges tempered with just the right balance of crisp edges to draw the eye. With warm colors telling you what is front, and cool paler colors speaking of far distant things. Lines that are curved to soften the mood, with diagonal directionals for subtle hints of movements.
I’d like my sketches to be authentic. My art to be original, and real. And me.
I aspire to keep my viewers, wandering through my artwork.
Realising, of course, not all are going to be lovely frame worthy pieces. Thats ok.
I’d much rather you, let your imagination free and loose; than for me to have a frame worthy work every time.