Tag: acrylics

A Timeless Echo

A Timeless Echo

oil abstract, topographical, gold leaf textured painting, debiriley.com
Hibiki

Favorite Paintings

 

I have discovered a new word, I thought I’d pass it along to you.

Its filled.  

And rich, with layers of meanings.

 I love it! 

It fits perfectly in describing a few select pieces of my art. 

I thought you too, might like to know about this word I’ll share it with you.

 Along with a mini collection of my favourite art works I’ve created. 

 

“Hibiki”    Japanese  meaning ……… Echo,   Resonance.   

 

mountain in blue, watercolor mountain, semi abstract landscape, debiriley.com
Mountain in Blues

 

 

abstract watercolor, creative beginner art, blue paintings, ocean waves, debiriley.com
Sea Inspired

This is a collection of my own paintings created either on location, an echo of a memory,    or from a compilation of my own photos that I have taken myself on site.    

Just to let you know, none of them are particularly recent.

But older. 

For me, I feel they have,  by virtue of their age, stood the test of time.

They still give me Joy. 

 

abstract expressionist acrylic painting, orange red scarlet, bright color art paintings, debiriley.com
Expressionist in Pink and Scarlet

Each one, still resonates deep within.

Reminding me of how I want to paint.

How I wish to create.

Reminding me that  if I did it once,   (that is if I created a painting I genuinely can  feel the magic  echo within me years later,)  then yes, I can repeat that again.  

And again. And again.  

Success can be echoed. 

 

watercolor abstract simplicity, light red, debiriley.com
Simplicity Wc Light Red

Though, indeed, it might take time.

Persistence. And countless more paint tubes. 

But in the end, it is worth it.

 

watercolor gold abstract, cobalt teal blue, pools of turquoise, abstract painting, debiriley.com
Resonance

All that time, energy, effort is worth it –  to have even a small collection that is Timeless.  

That continue,  to echo in my soul.

cobalt teal and rose watercolor abstract, creative texture techniques, watercolor lesson for beginners, debiriley.com
let the dust settle, teal and rose
acrylic landscape, simplicity in paint, debiriley.com
Simplicity

 

peace, joy, love oil painting in blue debiriley.com
Love. peace, joy, love
debiriley.com

 

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Zen Brushstrokes I
Zen Brushstrokes II
Veiled

The Art of More with Less

Three paintings, on the surface they appear simple. Easy.

Maybe without the studied and contrived perfection we’re used to.

They have a type of non conformity that is in direct opposition to what “art is supposed to” look like. Or so, what many of us may have been told.

They are Abstracts.

Blurred, veiled and vague.

With many abstracts, we’re left uncertain as to the precise, exact subject. There is no definitive object… leaving some of us a little bit uncomfortable.

It’s the guessing. The wondering. Being in the dark, that we’re really uncomfortable with.

We like it all spelled out. Clear.

We are perhaps uneasy with the thought of guessing incorrectly.

Nor are we comfortable with the huge margin for error that these nonrepresentational paintings provide.

We are forced to use our intuition. To ‘feel’ the emotions from the painting and from ourselves. Once again, things many aren’t completely at ease with.

A little secret, a painting can be likened to a person. It should emote. You should, be able to sense what the prevailing mood is. It shouldn’t be as if it were a flat empty face/space.

 

Depth and Layers

The first image.

The brush was fully loaded with three colors and brazenly, swiftly, applied. The colors merge together and yet, we see each individual.

Connected, yet their own, individual entity.

I love that philosophy.

The remembered scene, a waterfall on the edges of Mount Rainier National Parks in Washington. The emerald and pine greens with the with frosted froth of the falls…. left an indelible impression.

So even though this painting is an abstract, it’s been distilled from my reality. My depth of experience.

 

Blue Lined Road

This second was such fun! Another acrylic, it had a bright neon orange base. Quite vibrating.

I’d decided to overpaint to neutralise the shocking orange to a low and subtle level. I used a four inch old house paint brush to apply the blue and buff in five brushstrokes.

Ie less is MORE.

I paused, considering colors, tones, and the placement of those five strokes. I wanted to convey depth, texture.

But also the feeling, the sense of “going” somewhere. That there was a path, a direction in which we could follow in our travels in this painting.

I think that was accomplished.

 

Inferred

The third image.

The subtle hints, the mystery of the layerings and veiled coloured edges – is beautiful.

I want to paint More,like this.

 

Looking at this last image Veiled, there really is a lot of movement and texture and topographic work going on.

One might need to look, that is to search into the crevices filled with the gold leaf dust, before the image’s true self starts to reveal itself as : the landscape.

The landscape, Australia.

On the surface, it appears flat.

Empty even. But when you dig deeper, and look closer, you discover it’s immense resources. And beauty.

 

That too is part of the More….. that I’m referring to.

 

 

 

 

Revealing Brushstrokes, Blue and Orange

Revealing Brushstrokes, Blue and Orange

Bold blue, outspoken orange.  What drama and action is going on here.

Every brushstroke reveals to us …. more.

More depth, more energy, more movement.

 

 

Brushstrokes

 

They are a Language.

Words unspoken.

 

 

They’re a unique tool,  we artists can use to communicative… something.

Anything!

 

 

 

revealing brushstrokes, dynamic abstract paintings in blue and orange, how one stroke can tell us so much, debiriley.com
revealing brushstrokes, acrylics

 

Blue and Orange

 

Each stroke laden with paint,  is telling.

 

Nature inspired,  this  painting is made more effective with its use of the minimalist color palette.

Blue and Orange.

This Complementary Pairing is my favorite of the three pairs:  Red/Green   Yellow/Purple  Blue/Orange

 

 

 

 

Inspired by the Western Australian landscape,  I wanted to impart the subject essence the colors on the brush would provide.

Not the rocks, nor the trees.

Or even the stark cobalt blue sky we see so often.

 

It was intended to be,  abstract.

 

 

 

Distilling a Vision

One could imagine,  the true masters,   the likes of Fred Williams, John Olsen or Robert Juniper, perhaps Pro Hart.

Taking in the land, and then distilling it.

 

 

 

Laying it out before us, on their canvases,  in wide swathes of brushstrokes, dollops and smearings of paint.

 

Utterly and completely their’s alone.

Their interpretation of what they heard and saw and felt.

 

Out there, amongst the silence  – that is not silent-  of the bushland wilds.

 

 

 

 

…a few of my favorite things (palette knife & cobalt teal)

…a few of my favorite things (palette knife & cobalt teal)

I don’t think it comes as a big surprise.

Most of you,  probably felt certain you’d see cobalt teal blue pop up here!

As well as,  my handy PK1008 palette knife.

 

 

painting cobalt teal blue waters, impressionist palette knife technique, creative colorful seascapes, debiriley.com
palette knife and cobalt teal

 

Favorite Things in Art

 

For me,  both the palette knife and Cobalt Teal Blue …. are pure delight.

 

Providing such fun,  such joy in their use, that even if the painting doesn’t make the grade;  it doesn’t matter really, that much to me.

The simple pleasure of creating and using either one of them, often feels worth  more than what finishing off 20 paintings would.

 

We pay,

for enjoyment like that…..

We go to concerts, to the movies, go skiing.

 

Painting.

Its on the least expensive side of Entertainment.

I think its  a relatively cost effective form of amusement that provides hours, of fun.

 

 

Cobalt Teal Blue –  CTB

The first image is a ‘bonus’  having used both the palette knife and CTB.

 

The process was fun, loose, easy.

 

Palette Knife

Dampening my paper prepared it perfectly for the knife loaded with color.

The paper,  was small.

 

Minimalist.

Just  a  4 x 4 inch size.

 

And discretion is used.

Applying merely 3 paints with the knife.

 

With forethought;  and then complete commitment to the execution.

 

 

Minimalism

Admittedly,  often these days, I find my images are on the smaller side.

There are reasons for this.

They are easy for me to manage.

To pack  around. Easy to frame up.  Easy to mail off.

 

 

But I do seriously love to create on the large scale paintings….  6 foot and larger.

I itch to get the mural size canvases out.

And just let fly!

 

 

Maybe in Term 4,  if our Atwell Gallery group wants to have a bash, we will bring in 6 foot loose canvas to paint on.

That. Should be Fun!

 

cobalt teal abstract, debiriley.com
teal dreaming

Digital with Cobalt Teal Blue

This second image is a cropped version of a watercolor pastel abstract.

I have gone on to do some creative digital work on.

I  copied and mirrored this image.

I placed it into a large  window like matt to enhance a feeling of looking out a window, perhaps in a winter’s dream.

 

 

 

watercolor abstract, expressing feeling in art, debiriley.com
Solace… forms connecting

Solace in Watercolors

The third image, also has Cobalt Teal Blue splashed about!

With a wide ribbon of CTB  cruising through the back.

 

What I love about this watercolor painting, is the connection of shapes.

 

The sense of belonging they seem to create together,  a beautiful feeling of  Solace.

 

The bright white of the paper keeps the overall ‘tone’ from being dismal and dark.

And, thus it creates a warmer, more congenial sensibility to it that I quite enjoy.

 

 

 

 

I hope you enjoyed viewing some of my favorite things,  in art!

 

 

 

Color of Imagination…. Purple 9

Color of Imagination…. Purple 9

So much fun to be had with the color purple.

Our imaginations take flight more so, with this one magic and mysterious color.

And, at last,  the left brain….takes a seat.

 

“What,  IF….”  is the dominant theme with 9  “purple, violet, magenta, lilac, lavender”  images below.

No rules, just play.

 

 

watercolor test color swatch, daniel smith amethyst, watercolour purples, creative art techniques, debiriley.com
purple test strip  – its a great way to warm up

 

Magic of Purple Paints

I love that there’s an infinite amount of Purple subjects to work with:  flowers, hills and mountains,  ponds and fanciful shadows… with an endless variation of warms and cools, lights and darks.

 

Purple is the color of magic. Of freedom.

Of mystery, of the arts, of creativity, of the archane.

It is a liberating color to use.

 

Don’t let any preconceived ideas and thoughts about ‘purple’ sway you.

Thoughts of  wishy washy faded wallflowers and pale shrinking violets;  or stroppy, SHOUTY purples;  or even the dreaded  “grandma purples.”

Ignore those thoughts.

 

You want New Ideas!

 

 

So,  allow yourself to play, for awhile.

To be free and imaginative, with the color purple. 

 

 

Thats enough talk.  Enjoy the 9 images!

 

 

 

creative imaginative art techniques, use purple paints, debiriley.com
shadows, purple background

 

 

purple rose photograph, debiriley.com
purple rose  – a great source of painting inspiration!

 

 

inspiration of nature flowers, purple rose photograph, debiriley.com
inspired by purple roses

 

 

watercolor with a palette knife, amethyst daniel smith paint, debiriley.com
amethyst with palette knife:   creatively, a Vertical format

 

 

lily pond in deep purple, nature photography, cool palette blue green and lavender, debiriley.com
Deep Purple and Blue – a pond, a little bit of magic

 

watercolor landscapes tree reflections, painting morning on the water using watercolors, creating mood with paint, debiriley.com
Serenity with Watercolors…  calming lilac and lavenders

 

 

 

shadows of violets, purples, painting, debiriley.com
Mysteries in dark violets and purples  – this is a bit of glad wrap technique

 

 

 

 

impressionist landscape mountains and water, purple lavender, cobalt teal blue waters painting, debiriley.com
Impressionist Landscape: Purples and Teal Waters  … debiriley.com (c) 2018

 

 

 

 

 

 

Cobalt Teal Blue: Stages of Art

Cobalt Teal Blue: Stages of Art

 

“We arrive totally new

at the various stages of life and

there we often lack experience

despite the number of our years.”

Francoise de La Rochefoucauld VI  1613  French writer

 

cobalt teal blue abstract, la rochefoucauld quote, debiriley.com
Stage One  Cobalt Teal Blue Abstract

 

In Stages

I think his quote sums up our experience with painting, art, as well.

 

Every time we think we attain a new level, get to the next stage, we discover ourselves beginners all over again.

 

Beginners don’t realise that this is ‘just what happens.’

Often as Beginners, we believe the journey will be smooth sailing, once we learn the basics.

That the there won’t be much more mystery, or challenges, or setbacks after that.

 

 

Those who have been at it longer, know differently.  Know the drill.

Because, as long as our innate artistic curiosity remains,  there will be challenges.

 

We have been down the path enough times before not to be overly discouraged.

 

We know…. to wait it out.

To work it out.

abstract blues, cobalt teal blue painting, debiriley.com
Stage Two

 

 

La Rochefoucauld

I chose La Rochefoucauld to quote from today, for two reasons.

The quote content suited the post and image, firstly.

 

Secondly, he isn’t one of the most well known writers people have read about.

But, he has so many quotes, maxims that are valuable gems.

Just as applicable in 2018 as they were in the 1600’s.

 

And Art, is about discoveries.

About curiosity that is never ending.

 

 

reference for painting abstract of water, debiriley.com
original reference photo

 

The springboard, the origins of the painting came from the photo of water in green blue.

Not really a magnificent specimen on its own.

However, it does not need to be.

 

The reference sources only need to Inspire.

To ignite within the artist a desire to create something more, something going Beyond that initial photo.

 

 

Abstract Art

As an abstract, it need not Be anything.

It doesn’t have to represent a boat, house, flower, lake, ocean, etc.

Its non-representational.

 

abstract expressionism, acrylic painting on canvas, debiriley.com
The Pond,  Abstract 

 

If,  a painting was Semi-Abstract then,  we would be able to discern perhaps that an area might be a sky shape.

Another shape, could infer a shrouded figure, or a boat out upon misty waters.  This, is what a Semi Abstract painting is.

 

Lunar Black, Quincacridone Sienna, Daniel Smith watercolors, debiriley.com
Smoke and Fire  – semi abstraction

 

Impressionist, we can detect straight away that something is a flower, a tree, car, cup, etc.

Maybe not, the exact precise street address of the place.

More the mood and feeling of the place or person though.

Autumn Color watercolor landscape, how to fix a watercolor painting, fall tree colors, debiriley.com
moods of autumn watercolor & pastel landscape:  Society6 shop

 

Botanical art is very precise.  We will know what type of flower it is, the species, etc.

The measurements, the ratios, will all be correct.

Everything leaves, petals, stamens, roots, etc. will be exact in their detail.

 

 

 

Abstract cobalt teal #9 

Abstract art  – A Definition 

Cobalt Teal Sea Sirens 

 

 

 

 

Hints, of blue….. its ‘key’

Hints, of blue….. its ‘key’

Four acrylic mixed media abstracts; all with the power of blue.

Harnessed together with opposing forces of tonal values.

Discover how you can effectively use these intriguing differences: high key and low key.

 

 

 

Light and Shade

Light and shade, or as I term it, Tonal Values.

 

 

High Key

With a “high key” painting, the prevailing dominant ratio of tones will be on the Lighter end of the scale.

Perhaps, about   75% – 80% Light Tones.

 

Tips for  High Key Watercolor: you would use more water with your paints and, leave a lot more of your paper – White.

High Key Acrylics and Oils:  you would increase the amount of white to all the paints you use, and in many places use nearly straight White out of the tube.

 

Second Tip:

when we are trying to learn and cement a specific skill, we really will learn it faster, if we focus on that skill.

And lessen the pressure to ‘do well’  with the all  rest of the skills.

 

By limiting my colors ie to blue and focusing on the Key, I’ll increase my speed of learning and proficiency.

And thats what we all want to see.

Evidence… of Progress!

 

 

 

A High Key painting creates the feeling of space.

Of Freedom, movement, breath, light, air, action.

 

It is lighter, breezier, cheerier.

It uplifts, and is much more joyous.

 

hints of blue, high key painting, bleu ocean beach abstract acrylics, debiriley.com
High Key, hints of the blue

 

 

high key blue abstract painting, using texture tone and color in art, debiriley.com
High Key, in blue

 

In both of the above images, the Light and Mid tone percentages are greater than the much smaller percentage of Darker tones.

This is what gives the paintings the ‘airier’ lighter feel compared to the paintings below.

 

 

 

 

 

 

Low Key

These paintings below, have a higher percentage of darker and mid tones.

The mid tones and dark tones dominate the image.

Rough estimate 75% or so.   Give or take.

 

The Low Key paintings create a more somber feeling to viewers.

There is a sensation of being more contained,  but it also can have nuances of foreboding at times as well.

 

abstract acrylic on board, low key painting, diagonal patterns, debiriley.com
Low Key painting, Cerulean with black,  abstract on board panel

 

 

 

blue abstract on board, heavy texture, darkness to light painting, debiriley.com
Illusion of the darkness of space, A low key painting  in blue

 

 

 

When you wish to convey summer, celebrations, joy, movement, spaciousness, etc.  you now have a definite tool to rely on.

Simply ‘High Key.’

 

Same thing when painting to express the opposite.   Use,  ‘Low Key.’

 

Awareness of our options, gives us the strategies and the power to execute them –  as the subject and mood dictates.

 

 

 

 

High Key  –  Watercolor Mountain

This is my rough estimate of  the painting’s tonal value ratios….

Light tones 40%

Mid tones  50%

Dark tones 10%

 

Additionally…. with a Vertical, format rather than a traditional horizontal, it provides us with an increased sensation of movement, of implied action.

Of Space and of Depth.

 

Staining watercolor paints, prussian blue pb27, Impressionist watercolor landscape mountain, granulating paint manganese blue, cerulean blue, debi riley watercolor, debiriley.com
Mountain Prussian Blue watercolors, full sheet 22×30 

 

I included this at the last minute, because it illustrates nicely the ‘sensation’ of high key using vertical format.

And to show you how you can ADD Light Tones (white,)  by using light white matts to increase the light ratios, if, that is what is required.