Category: abstract

Playing In Perth: Palette Knife Painting

Playing In Perth: Palette Knife Painting

Palette Knife Painting and Workshops

What a wonderful creative combination: the natural environment rocky escarpments and brilliant skies! Add the magical Palette Knife PK1008 and its a perfect recipe for fun.

palette knife painting workshops, Debi Riley art, nature as inspiration, Perth art classes, debiriley.com
Perfect Palette Knife Playing in Perth, workshop August 31, 2019

 

 

Making Magic

Making Magic

We all, can make Magic.

One way, or in another. In some measure. It doesn’t have to be “Art” nor music, nor even in the sciences.

Maybe you are one of the generous ones, the kind and thoughtful ones. Sharing your enthusiasm and your knowledge freely.

That. Is a special kind of magic. People don’t forget it. I certainly don’t.

It really doesn’t matter what your job title is, your career, vocation, etc. A convenience store clerk, recently showed me…. how skilful he was at making magic. Just by being himself. Being generous. When he did not have to be.

magic of watercolor, abstract art, debi Riley art, palette knife paintings, cobalt teal blue.
Making Magic, Debi Riley & Palette Knife

Magic is Seeing, What You’ve Never Truly Seen Before

On the Art side of things, there is a kind of magic I find easy when I teach or coach a group of new artists. The kind of magic, that illustrates for them a variety of pathways and perspectives on how to see what they’ve never truly seen before.

“Is Graffiti, art?” was one question for the group. At first, many didn’t see the art in any graffiti. But, some graffiti is so breathtaking, it defies any to not call it Art.

graffiti is art, cobalt teal blue design, new perspectives in art, debi Riley art
Graffiti in Cobalt Teal Blue

I also am inspired when finally, I have been able to get an individual to feel, the art. Wow. Yes. Magical indeed the sharing of methods, techniques, thoughts, of ways how they can Feel it, and become aware of things they’d never felt, before. I do find it easy. Fun. Inspiring. Challenging. Magical.

Yes. I guess that is a type of magic that I do.

Making Magic applies to the practical side of creativity, the nuts and bolts ie the tools and materials, as well as the philosophical side.

creating landscape watercolors with a knife, Debi Riley art, abstract watercolor landscapes, hills in watercolours
Palette Knife Miniature, Debi Riley

The Magical Palette Knife PK 1008

There is a Magical tool I love.

It is the PK 1008. A very sensitive, versatile palette knife that responds perfectly. Fluidly. There is no stiff rigidity of stroke inherent to this palette knife whatsoever. It is far too sensitive for that!

Watercolour Landscape with Palette Knife, on Indian Village handmade paper 22x30"
Mountain Landscape – Indian Village watercolour paper with Indigo and Indanthrone paints debiriley.com

The Mountain Landscape is a Palette Knife painting, a bit wild and rebellious…. that I’ve mounted on my last sheet of handmade Indian Village paper.

I pre painted this in Indanthrone with Indigo for a velvety blue black to contrast my image. It worked.

With the PK 1008 the sharp angle and width allow for a myriad of very expressive movements and technical applications.

Double or triple loading the knife with a few watercolors, then boldly …. sliding it across the predampened paper – oh, my. That absolutely creates Magic!

Making Magic with the Palette Knife is most likely my top favourite technique in creating art. Nothing else quite works outs like it does. Full of unexpected delights and color melting together. Beautiful and strange pairings that should not work, but Do.

And even when the image isn’t doing so well in ‘your’ intended direction; turn it around. Maybe that palette knife, does have some mysterious magic in it after all. Many times, not only my work, but students’ as well, when reassessed in the upside down mode – it is stunningly Perfect! Amazing.

Palette Knife Magic Tips:

My Tips for those wanting to use a palette knife with Watercolors, ie not impasto style, are as follows:

Be Bold! Decisive. No fiddling, nagging, etc. Speak UP. Say it like you mean it, then leave it be.

Review your Art Basics quickly. Tonal Values, Edges, Aerial Perspective, Focal Point, Details/contrasts. Then try to stick to most, of those.

Most Importantly, use your artistic drive to make the audience FEEL Something! Don’t be content with recording the facts, the details, the accuracies.

Go MAKE MAGIC!

More

More

Zen Brushstrokes I
Zen Brushstrokes II
Veiled

The Art of More with Less

Three paintings, on the surface they appear simple. Easy.

Maybe without the studied and contrived perfection we’re used to.

They have a type of non conformity that is in direct opposition to what “art is supposed to” look like. Or so, what many of us may have been told.

They are Abstracts.

Blurred, veiled and vague.

With many abstracts, we’re left uncertain as to the precise, exact subject. There is no definitive object… leaving some of us a little bit uncomfortable.

It’s the guessing. The wondering. Being in the dark, that we’re really uncomfortable with.

We like it all spelled out. Clear.

We are perhaps uneasy with the thought of guessing incorrectly.

Nor are we comfortable with the huge margin for error that these nonrepresentational paintings provide.

We are forced to use our intuition. To ‘feel’ the emotions from the painting and from ourselves. Once again, things many aren’t completely at ease with.

A little secret, a painting can be likened to a person. It should emote. You should, be able to sense what the prevailing mood is. It shouldn’t be as if it were a flat empty face/space.

 

Depth and Layers

The first image.

The brush was fully loaded with three colors and brazenly, swiftly, applied. The colors merge together and yet, we see each individual.

Connected, yet their own, individual entity.

I love that philosophy.

The remembered scene, a waterfall on the edges of Mount Rainier National Parks in Washington. The emerald and pine greens with the with frosted froth of the falls…. left an indelible impression.

So even though this painting is an abstract, it’s been distilled from my reality. My depth of experience.

 

Blue Lined Road

This second was such fun! Another acrylic, it had a bright neon orange base. Quite vibrating.

I’d decided to overpaint to neutralise the shocking orange to a low and subtle level. I used a four inch old house paint brush to apply the blue and buff in five brushstrokes.

Ie less is MORE.

I paused, considering colors, tones, and the placement of those five strokes. I wanted to convey depth, texture.

But also the feeling, the sense of “going” somewhere. That there was a path, a direction in which we could follow in our travels in this painting.

I think that was accomplished.

 

Inferred

The third image.

The subtle hints, the mystery of the layerings and veiled coloured edges – is beautiful.

I want to paint More,like this.

 

Looking at this last image Veiled, there really is a lot of movement and texture and topographic work going on.

One might need to look, that is to search into the crevices filled with the gold leaf dust, before the image’s true self starts to reveal itself as : the landscape.

The landscape, Australia.

On the surface, it appears flat.

Empty even. But when you dig deeper, and look closer, you discover it’s immense resources. And beauty.

 

That too is part of the More….. that I’m referring to.

 

 

 

 

Expressionist Creative Perth Artist

Expressionist Creative Perth Artist

The Arts in Perth: nurturing the self to foster creative identity and confidence.

What do I do? I teach art? perhaps. But at the core, the reality is I am sharing something far more important. I’m more of an encouraging ‘creativity mentor.’ A coach. I love to share artistic pathways that help the individual reclaim their innate identity, power and confidence. Balance through the arts.

Once in a while, I come across a client who has an ease within themselves straight off the bat.

This is not the typical beginner response. But their comfort at communicating, at expressing in paint playfully, in pure joyful Freedom – is Different.

It sets them apart.

They already are absorbed in the process. Totally engaged with the physicality of the action. In the act of painting all on its own, with no thought of reward or product or result.

That in all my experience is so, unique.

It is, in my opinion the highest benchmark of An Artist.

Today, for my first true, post back… I’ve featured Paola (a client) and each of the art works seen belong to her.

Paola hasn’t been with me for long period of time, a couple of terms is all. She first came to my course “Draw, Print, Paint.”

This was an intermediate to advanced level course. Not specifically designed for a brand new Beginner!

We drew…..in a loose, bold, super fast and free approach.

Extremely Non traditional.

No – straight lines! No – rigidity.

No – erasers. Are, your eyes open yet?!

No – concern over flaws, imperfections, wrong angles, etc.

Simply, drawing big and bold with a fat black Sharpie marker! The concept was to have Fun and to play.

On cheap papers. This diminishes fears “of wasting money.”

Loose, and easy…. watercolor painting

Paola next booked into Watercolors: Loose and Easy.

abstract expressionist watercolor l Paola

Once again, the course was not specifically designed for complete beginners.

But once again what Paola envisioned and created, was captivating. Her extraordinary absorption in the process is fascinating to see.

Each brush stroke, deliberate and meaningful.

The color was stroked upon the paper, and left. Alone.

Where it melted and merged and vibrated with its fellow notes.

There was no fiddling. No over working. No excess concern over flaws and imperfections in paper, paint, or marks made.

They were made, and then… let go.

She has a wonderful ability to find her own place of safety and security within herself enabling her to simply respond in creative liberation. Without a lot of coaching, coaxing, guidance from myself.

I’d like us all, to be able to feel that free to express our own voice, in our own words, without fear of reprisals. Of being called out for some perceived small imperfection or ‘mistake.’

Flaws.

Well….. we are, Human!

Wabi Sabi

One of my personal, favourite words and philosophies over the past couple years has been, and is – Wabi Sabi.

If, you look it up you’ll discover lovely beautiful things about it.

The concept is that there is beauty to be seen and found, in the Imperfect. In the unfinished. And in the Impermanent.

It can be a game changing discovery for some of us, former “perfectionists.”

I’ve done several series and posts on The 7 Days of Zen, and wabi sabi elements you might have a read on if you’d like.

Creative Freedom, abstract expressionism – Paola

Creativity

Creativity requires a sense of ‘safety.’ Our creative imagination will refuse to come out to play, until it feels secure. Safe. When it knows it has the utter freedom to be authentic, its own self, imperfect and flawed as it is!

We will not, see fresh new inventions, new medical, tech, science breakthroughs – in environments of stress, fear, negativity. The fear of being vulnerable to attack, causes the creative side, our clever side to stay hidden. Buried.

Trying to excavate the hidden creative buried far beneath the layers, deep in the crevices, that almost nothing can pry out – can be exhausting work. It takes immense patience. Time.

And sometimes, someone else’s eyes to see that gem and make mention of it, softly and kindly. Repeatedly.

Authentically.

At work, what I really do, is: I campaign against fear.

It is Fear, that so often leads many to replicate someone else’s words. Or their looks. Or opinion. Or someone else’s painting. There is No need!

abstract still life indigo and orange Paola

My philosophy is:

“YOU, Are absolutely every bit – just as interesting, good, valuable and faceted – as Monet/Madonna/Oprah or whoever it is that is being copied.”

Probably more so. Please let us in, tell us your story.

Thank you Paola,, for so kindly and with courage, allowing me to feature your work on my first post back. I am grateful. Debi

Creative Art Inspirations

Creative Art Inspirations

Inspirations

Stella Terrill Mann,

“Every time we say, Let there be! in any form,

something happens.”

I’ve been away.

Not literally, but figuratively. Taking a …. Pause. Reflecting.

Many of you, readers, customers, students and friends ask with increasing frequency, “When, are you going to post again?!”

“Soon, When it is Time.” Has been my response.

Artists, creative people in general go through cycles, and bursts of productivity.

Then, seemingly endless – long empty dry, droughts.

Where nothing is happening. So it seems on the surface.

But look deeper. And you discover all the myriad ingredients simmering and merging together quietly.

They just aren’t ready yet.

We have to learn patience.

It will happen. We will not be stuck in the drought or winter, forever!

Winter isn’t really a time of sleeping. Its a very busy time. Underneath the layers of earth, major preparations are being done.

Side note…..

I have been away for quite some time, so I decided to freshen the blog up a little.

I’m testing out a new WP format, and I will just have to press publish to see how it all goes. I like experiments!

I hope you like the change.

Thanks for your patience and continuing to ‘check in’ while I have been on pause and reflecting.

Cheers, Debi

Revealing Brushstrokes, Blue and Orange

Revealing Brushstrokes, Blue and Orange

Bold blue, outspoken orange.  What drama and action is going on here.

Every brushstroke reveals to us …. more.

More depth, more energy, more movement.

 

 

Brushstrokes

 

They are a Language.

Words unspoken.

 

 

They’re a unique tool,  we artists can use to communicative… something.

Anything!

 

 

 

revealing brushstrokes, dynamic abstract paintings in blue and orange, how one stroke can tell us so much, debiriley.com
revealing brushstrokes, acrylics

 

Blue and Orange

 

Each stroke laden with paint,  is telling.

 

Nature inspired,  this  painting is made more effective with its use of the minimalist color palette.

Blue and Orange.

This Complementary Pairing is my favorite of the three pairs:  Red/Green   Yellow/Purple  Blue/Orange

 

 

 

 

Inspired by the Western Australian landscape,  I wanted to impart the subject essence the colors on the brush would provide.

Not the rocks, nor the trees.

Or even the stark cobalt blue sky we see so often.

 

It was intended to be,  abstract.

 

 

 

Distilling a Vision

One could imagine,  the true masters,   the likes of Fred Williams, John Olsen or Robert Juniper, perhaps Pro Hart.

Taking in the land, and then distilling it.

 

 

 

Laying it out before us, on their canvases,  in wide swathes of brushstrokes, dollops and smearings of paint.

 

Utterly and completely their’s alone.

Their interpretation of what they heard and saw and felt.

 

Out there, amongst the silence  – that is not silent-  of the bushland wilds.

 

 

 

 

Cobalt Teal Blue: Stages of Art

Cobalt Teal Blue: Stages of Art

 

“We arrive totally new

at the various stages of life and

there we often lack experience

despite the number of our years.”

Francoise de La Rochefoucauld VI  1613  French writer

 

cobalt teal blue abstract, la rochefoucauld quote, debiriley.com
Stage One  Cobalt Teal Blue Abstract

 

In Stages

I think his quote sums up our experience with painting, art, as well.

 

Every time we think we attain a new level, get to the next stage, we discover ourselves beginners all over again.

 

Beginners don’t realise that this is ‘just what happens.’

Often as Beginners, we believe the journey will be smooth sailing, once we learn the basics.

That the there won’t be much more mystery, or challenges, or setbacks after that.

 

 

Those who have been at it longer, know differently.  Know the drill.

Because, as long as our innate artistic curiosity remains,  there will be challenges.

 

We have been down the path enough times before not to be overly discouraged.

 

We know…. to wait it out.

To work it out.

abstract blues, cobalt teal blue painting, debiriley.com
Stage Two

 

 

La Rochefoucauld

I chose La Rochefoucauld to quote from today, for two reasons.

The quote content suited the post and image, firstly.

 

Secondly, he isn’t one of the most well known writers people have read about.

But, he has so many quotes, maxims that are valuable gems.

Just as applicable in 2018 as they were in the 1600’s.

 

And Art, is about discoveries.

About curiosity that is never ending.

 

 

reference for painting abstract of water, debiriley.com
original reference photo

 

The springboard, the origins of the painting came from the photo of water in green blue.

Not really a magnificent specimen on its own.

However, it does not need to be.

 

The reference sources only need to Inspire.

To ignite within the artist a desire to create something more, something going Beyond that initial photo.

 

 

Abstract Art

As an abstract, it need not Be anything.

It doesn’t have to represent a boat, house, flower, lake, ocean, etc.

Its non-representational.

 

abstract expressionism, acrylic painting on canvas, debiriley.com
The Pond,  Abstract 

 

If,  a painting was Semi-Abstract then,  we would be able to discern perhaps that an area might be a sky shape.

Another shape, could infer a shrouded figure, or a boat out upon misty waters.  This, is what a Semi Abstract painting is.

 

Lunar Black, Quincacridone Sienna, Daniel Smith watercolors, debiriley.com
Smoke and Fire  – semi abstraction

 

Impressionist, we can detect straight away that something is a flower, a tree, car, cup, etc.

Maybe not, the exact precise street address of the place.

More the mood and feeling of the place or person though.

Autumn Color watercolor landscape, how to fix a watercolor painting, fall tree colors, debiriley.com
moods of autumn watercolor & pastel landscape:  Society6 shop

 

Botanical art is very precise.  We will know what type of flower it is, the species, etc.

The measurements, the ratios, will all be correct.

Everything leaves, petals, stamens, roots, etc. will be exact in their detail.

 

 

 

Abstract cobalt teal #9 

Abstract art  – A Definition 

Cobalt Teal Sea Sirens