Tag: indigo blue

The Intriguing Circle in Art: Enso

The Intriguing Circle in Art: Enso

Enso. An Intriguing word.

A strange word, a new word?  I can explain.

Or rather,  I can provide subjective descriptions. And examples.

Allowing you to form your own interpretation of what an Enso means, for you.

 

Japanese Enso, zen art, meditation, creative brush use, circle of enlightenment, debi riley art
Enso …. in blue,  with silver dust and cobalt teal

 

The Intriguing Circle: Enso

My thoughts on the Enso.

 

My very first thought: It nearly defies definition.

I don’t really think there is a concrete, hard and fast  “This, is Enso”  definition.

Intangibles are often difficult to completely pin down.

More like trying to capture Vapor as it rises above  – drifting off, and forever, just out of reach.

 

 

 

But lets give it a go.

 

From Wikipedia….. 

This spiritual practice of drawing ensō or writing Japanese calligraphy for self-realization is called hitsuzendō (筆禅道“way of the brush”).

Ensō exemplifies the various topics/dimensions of the Japanese wabi-sabi perspective and aesthetic:

Fukinsei (asymmetry, irregularity),

kanso (simplicity),

koko (basic; weathered),

shizen (without pretense; natural),

yugen (subtly profound grace),

datsuzoku (freedom),

and seijaku (tranquility).

 

In my 7 set series, The 7 Days of Zen,  I explored each one of these Zen  “Wabi Sabi”  topics.

If, you’d like to know more start with The 7 Days of Zen and work your way to The 7th day!

 

 

 

Enso….. It is a circular form drawn and painted, while in the midst of a quiet contemplative state of mind.

It is

A  Moment

when,  the mind

freed –

permits the body and spirit as one,

to Create.

 

 

 

enso, ink drawing, debiriley.com
enso in Ink…. debiriley.com

 

 

 

The Enso,  it could be…. drawn in the dirt or sand.

Or done with a brush using water only upon a footpath…… to vanish within mere moments.

Very Wabi Sabi.

 

The purpose of the Enso is  or could be, about causing the artist to focus on the Inward journey.

To think.  Contemplate and become more aware.

 

It  isn’t actually about producing  something for show and tell,  for sale, for display, for others.

Enso……  its about the intriguing inner journey we all walk, step by step, each day.

 

 

enso in greens, overlapping pattern in spring limes, rice paper and watercolor, enso art, debiriley.com
enso design by karen

 

Enso

I believe Enso symbolises –

The Circle of Togetherness.  United, connected, in harmony.  Oneness.

The Circle of Awareness  ie  “Enlightenment.”

 

Its about feeling.

Its is about en-lighten-ment…. The light of understanding shining  suddenly upon you.

It is about letting go.

It is about self reflection, contemplation, peace – serenity.

 

Purpose filled.

Not wasted, not empty.

Its about making each step,  every breath, every brush stroke,  each mark made,   every step taken – mean some thing.

 

 

blue copper enso on rice paper, japanese painting, meditation, zen art, debiriley.com
Blue Copper Enso,   A ‘closed’  enso;    student’s work from class

 

Enso is a single,  thought filled ……. studied brush mark.

 

A brush mark upon a surface in a circular form.

No need for ‘perfection’  –  full stop.

 

The need,  is for the aiming towards unity, oneness, balance.

 

The Enso is the visual culmination of  an enlightened moment, a space, a place in time.

 

 

How

The Enso has phases as the ink on the brush, slowly runs out.

The first 1/4 of the stroke is usually full, dense, dark, thick, even having blobs.

The next phase runs smoother,  finer.

By the 1/4 mark from the end though you’ll see a rapid decrease in ink.

Often giving a wispy tail effect on many enso drawings.

These things are dependent, upon the paper used and the brush used.

As well as  the individual artist.

 

enso point of beginning and end, zen art, enso in blue, debiriley.com
Libby’s Enso; enso beginning, end

 

 

Enso  Steps 

  1. Gather the art supplies. inks, brushes, papers, canvas, paints, etc.
  2. Contemplate,  be meditative about the enso image you desire to make 
  3. FULLY  LOAD   brush with the ink, paint required for the entire, enso
  4. Breathe deep calming relaxing breaths, inhaling exhaling, til…. Relaxed
  5. Draw the enso shape – Using ONE long, fluid, stroke…….. just 1
  6. If, you wish,  add your thoughts, words or verse to the image 
  7. sign it;   as you do, think about balance & harmony of placement

 

you can use canvas, papers of all sorts… rice paper is fabulous, bamboo, cotton, silk, etc.   

you could deckle ie tear the edges of the paper to make it look more weathered, decorative, wabi sabi 

using metallic powders ie  copper, silver, gold,  sprinkled into the ink or watercolor could add dimension

or you could draw the enso over a Pale, tinted wash of watercolor – just make sure the ink you Enso with is deep dark enough to go over the w/c wash & provide Good Contrast!      

 

 

serenity enso, japanese enso on rice paper, serenity enso, zen art, debiriley.com
Serenity – eleanors enso

 

 

 

ENSO Benefits and Learning Outcomes

A primary benefit is it trains us to be more mindful of our brushstrokes.  ie not to fiddle. 

Reminding us,  every single brushstroke and mark we make,  needs to Count.

Needs to mean something.  We become more aware of this, the more often we practice Enso.    

Bottom line is: we get paintings with far less Mud, far less overworked paintings, more decisive bolder,  stronger artwork when we partner up, with enso practice.     

Creativity and Imagination are developed, strengthened. Made into super highways in us rather than the meager little goat tracks they once were.   

 

The enso shape,  the simple circle, permits the mind to wander.

To wonder. To Imagine. Unlike the box like rectangle, that tends to restrain us, confine us. Keep us in our place.

The circle, the enso invites creativity.   

And by inviting creativity we actually … perform better.

 

 

Enso

The practice of this form of art, helps the artist in these ways: 

  • Developing a sense of calm, using a new, clarified approach creating art.
  • Finding, seeking out the connections…. (within the subject, within the larger picture, within the self) 
  • Stillness. Contemplation before creation results in a stronger image ie Result.
  • No fiddling. Means No Mud.    This, transfers over into all your painting efforts. 
  • Relaxation.  It is in the peaceful non-stressed state,  we are freed to be Creative.
  • Concise, Meaning-Full.  The practice of enso trains us to make every mark,  count. 
  • Begin to think on the content, the deeper message of your art.
  • one stroke.  This, teaches us restraint. A wise &  Masterful use of tools, materials, resources.
  • In The Creative Zone.  Fully present in that moment. no where else. Where you are  connected to the art, to the tools – materials, the subject, the self, the mood/feeling.  Enabling you to convey those things onto the paper. 
  • Enso … to me,  is a frame of mind where we are Calm. Measured. Purposeful.    An ideal space to be, when we want to really truly permit our creativity, imaginations free.

 

Ideas for Your Enso…..

Watercolor Enso colors –    indigo   indanthrone   jade      perylene green      mayan blue     amethyst   purpurite   prussian    lunar black      amazonite        

Pairings……  LunarBlack+phalo      Indanthrone+Ultramarine     Indigo+CTB       Perylene green + Zoisite (or Mayan Blue)   

 

 

 

Artists, References, Sources

 

 

Kazuaki Tanahashi

Full of information, techniques, guidance his calm, kind and thoughtful approach to art transfers easily to his students and audience.  Definitely a Master.  Kazuaki’s enso paintings are unique, creative and so soothing.   He has workshops, worldwide California to Italy. Plus, offers online courses.

I love his work.  And simply have to say you’ll love it too!

Check in with Kaz at Brushmind.net

 

“As soon as you accept the accidental effects,

they are no longer accidents.

They are necessity the part of yourself that you could not expect or design beforehand.

Thus, the realm of your creativity grows wider.”

Kazuaki Tanahashi

 

 

Nakajima Hiroyuki

A contemporary artist, uses gigantic brushes effortlessly.  The smallest of brushes, and fingers, hands, cardboard, pastels, inks, acrylics…… seemlingly,  any tool, any media is handled with ease. Ahhh…. once again, A  Master well worth going to have a further study with!

 Hiroyuki, blends  Japanese calligraphy “Shodo” with nature, with Zen, with Tai Chi movements.  It is really,  a performance art. Something to Watch, not merely look at.

 

 

Shodo:  the Quiet Art of Japanese Zen Calligraphy  by Shozo Sato   ISBN13   9784805312049   is a beautiful,  hardcover book with large expressive illustrations and instructions.  Available at Abe books online.

 

 

 

illuminated enso, detail of design, yellow and purple pairing, debiriley.com
illumination, the enso path by angela   (enso in detail)

 

Illumination

Enso, is a pathway that can lead us towards awareness, towards illumination.

 

 

I once explained Enso as a way to enjoy art more, to engage in the process more.  That we could think of it, in a way, Like eating a meal.

 

We can either quickly bolt down our Thanksgiving banquet.

Or we can fully engage in the savoring of each dish we select to partake of.

 

It is an awareness of what we are doing right then.

It is a way to enjoy things …more.

Extracting every molecule of enjoyment from the moment that we are able.

To Live.  Not merely exist.

Becoming More aware of our steps, of  our marks we make.

 

 

The more I train myself to look at things with simplicity, harmony, clarity, balance, acceptance in mind The better my art work will be.

It can’t help but to improve.

Because I am training myself to fully engage, to fully observe, to be fully aware. This is conveyed to the viewer.

 

This is,  I guess, philosophy of sorts.

But, it is art.

And an  integral piece for me.

 

And as your art becomes filled with more variations and content, and more depth;  you too, become more.

It is connected.

 

silver and indigo enso, circle of enlightenment, peace, moonlit silver skies, debiriley.com
silvery moon midst the midnight skies

 

 

In a past post, The Haunting magic of Nature   I stated,

“Make it count.”

Enso guides us along this path in one of the best ways that I  know of.

 

And,  no.   We aren’t all ready for it at the same time.

That is the way of things.

And, its ok.

 

So maybe I’m ready now, but when I began my art journey years ago I most certainly was not.

I was too tight, too rigid, too locked into the constraints I had been told were the right ways to follow.

 

Yes,  its difficult to break, the barriers holding us back.

Difficult.

Not impossible.

 

 

 

Japanese Zen art, Enso paintings, meditative art, using silver and blue in cloudscapes, debiriley.com
Enso in silvered blues of the Moon

 

More Reference Sources for you

 

Excerpts below, taken from articles by John Stevens and  Audrey Yoshiko Seo and the Modern Zen Enso may help to further clarify, “What Is the Enso?”

 

John Stevens   What is an Enso

The Zen poet Hanshan wrote -“My heart is like the autumn moon’’-  perhaps to indicate that the enso symbolizes  the moon-mind of enlightenment.

Another inscription,  “Within the ever revolving circle of human passions, things come and go, come and go,”  to represent a wheel.

 

Zen masters create enso paintings as meditation prompts for their students.

Each Zen master has their own Enso style. That individuality is clearly expressed in their art.

 

Some enso circles are perfectly symmetrical;

others are completely lopsided.

Most are done in one stroke; others are made from 2  half circles.

Some are massive, thick; others spindly, delicate.  Fragile.

Most begin in the left-hand corner of the paper, but can start at the top or bottom.

 

 

Audrey Yoshiko Seo, author of Ensō: Zen Circles of Enlightenment writes,

“Zen circles, ensō, are symbols of teaching, reality, enlightenment, and a myriad of things in between.

Seemingly perfect in their continuity, balance, and sense of completeness, and yet often irregular in execution,

ensō are at once the most fundamentally simple and the most complex shape.

They seem to leave little room for variation, and yet in the hands of Zen masters, the varieties of personal expression are endless.

Enso  evoke power, dynamism, charm, humor, drama, and stillness.”

 

 

 

Modern Zen Enso 

Enso.  The two Kanji symbols that create the word, enso  translate as Mutual Circle or  Circle of Togetherness.

 

The symbolism of an enso might refer to:  the beginning and end of all things;  the circle of life;  and the connectedness of existence.

It can symbolise being full or empty;  presence or absence.

All things might be contained within, or excluded by its boundaries.

It can symbolise infinity, the “no-thing,”  the perfect meditative state, and enlightenment.

Often it represents the moon;  the moon being a symbol of enlightenment.

The Enso can also represent the moon’s reflection on water,  symbolising the futility of searching for enlightenment outside oneself.

 

 

 

Enso symbolises so much more:

The acceptance of imperfection as perfect,  the universe, single mindedness,  strength, elegance and,  the state of mind of the artist at the moment of creation.

 

The circle of infinity and the cyclical nature of existence,   simplicity, completeness, endlessness, perfect harmony, the oneness of life and all things contained within it, the absolute fullness in emptiness, the spirit of harmonious cooperation, the visible and the invisible.

 

The enso is a universally known symbol of wholeness and completion; “form is void and void is form.”

When you take the time, to study the enso  you see that form and void are related….connected.

And, in fact, define each other.

 

 

It is a fascinating   expression of individuality  as expressed by variations in ink tones, brushstroke thickness, shape of the circle.

And even the positioning of the single point where the circle begins and ends.

 

There are so many definitions available, that each of us is left to select or create our own definition of enso.

enso zen art, using color in enso, debiriley.com
enso by joyce

 

 

Opening in the Enso

The Enso may be closed or painted with an opening in the circle.

 

The open enso might symbolise that it is not in isolation, but is instead,  part of  the greater Whole.  ie  “Circle of Togetherness.”

The open circle reflects that the enso is not contained within itself:  but opens out,  into infinity. “Infinity Circle.”

 

The Open Enso can also suggest imperfection.  Imperfection as an important, necessary, inherent element to our existence.

The Enso can be the open circle of emptiness in which the self flows in and out while remaining centered; or it can be closed.

 

Allowing the enso to remain open,  is as if we’re allowing room for the spirit to flow in and out of the circle; allowing it to Breathe.

Breath and emptiness are essential ingredients for meditation, contemplation and the creation of a spiritual life.

 

Drawing the enso is a contemplative meditative.  An inward process.

Meditating in silence for lengthy time period, before picking up the brush and paper is a common routine for the zen artist.

The Enso is done quickly.  As a manifestation of what existed within the artist’s mind already.

 

 

Imperfections

Enso is a Zen symbol of the  imperfection of all things.

The natural occurring imperfections of the enso, drawn by man’s hand not machine, nor helped with precision based tools – make the enso a beauty of natural perfection.

Perfect as it is.

In all its flaws, all its imperfections.

The Enso, teaches the student to cease struggling.

To abandon the compulsion for Perfection.

To permit things to unfold, as they will.

 

enso, zen circle, circle of enlightenment, drawing zen, zen calligraphy, debi riley art, debiriley.com
circle of completion ….enso on rice paper

 

 

Finishing….

By embracing the practice of Enso, even if its only occasionally – it can help us not just in art, but every day living.

In making the most of each moment.

 

We are making marks. Every day.

Every action, step, word, look, art work we create is a mark.

A brush stroke, if you will.

 

The practice of enso,  I believe,  teaches us that our lives – are works of art –    Or can be.

 

 

 

 

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Soft Trees across the waters: watercolor

Soft Trees across the waters: watercolor

Soft Trees across the waters is a nice little watercolor study, anyone can do.

It doesn’t take long.  Nor involve many paints at all.

Its just painting watercolor landscapes with simplification in mind.

 

beginner watercolor landscape techniques, painting simple trees and water in watercolours, daniel smith indigo, debiriley.com
Watercolor Trees and Water

 

Watercolor Basics

A very, abbreviated summary is in this post.  With just 4 ideas and tips listed.  It doesn’t really begin to scratch the surface of what beginners might be looking for or, needing.

I could, suggest heading for Watercolor Basics page;  No Fiddling; Impressionist Landscapes;  Trees;  the 3 edges of watercolor;   7 Ways of Watercolor 

and of course you can always

just go to  my   SEARCH Bar …..  type in a word and voila!

 

 

 

Simplify

First thing to do is – break the many complicated shapes down into 3 or 5 Big, shapes.

 

ie  the sky, is a Shape.

the trees are a shape,

the water is a shape,

and then the shoreline from front to back is,  just one shape.

 

There.  Thats 4  big shapes.

Simplified.

Made so much easier than what was really there, in all that very confusing,  clutter of detail overwhelming the mind and eye!

 

 

 

Limited Palette

Using a nearly monochromatic palette of just 2 paints, goes a very long way in assisting your painting efforts.

In making your watercolor landscape paintings simpler, more successful, and easier to learn how to do.

 

I used 2 paints.

Indigo blue   and  Burnt Umber  Daniel Smith watercolors  mixed well together,  creating smooth browns with super darks where needed.

 

 

Shadows and Light

It is important….. to ensure you achieve a good sufficiency of light tones, mid, dark tones (LMD)  throughout.

LMD give you a 3Dimensional look. Depth.

Leaving enough of the white paper, well,  Plenty of it actually,  and  not covering it all up. Don’t  just …..fill it all in with your watercolor paints.

 

(all I did was mark the area to be left pure white;

then dampened AROUND that area.  And painted into the areas that were Damp.  That left my dry area nice and clean and pure white. Lovely!)

 

In my sample image shown, I have used a photo with a deliberate play on light and shadows.

It has a very strong shadow cast upon the white backing paper.

This….serves as a great reminder to make good use of your Light and your Shadows.

Contrasts are critical to success.

 

 

 

Edges

You might also notice the edges in this watercolor.

 

Almost every where are soft edges, gentle edges.

 

Except for the water in the front.

The hard sharp edges of the water, balances out the soft edges elsewhere.

Plus, gives some definition, form and meaning.

They tell us, where to Look.

 

 

 

 

 

Frustrations

We, almost all of us, get a bit frustrated when things don’t progress as we expect.

As we want.  As we had envisioned.

 

I know.

I’ve had 30 years of painting. Things,  do not,  always go as envisioned!! 

 

So, to help out with this pesky little dilemma,  what I  suggest is to set out 5 – 7 pieces of paper.

Medium small  works just fine.

 

We will do…. several trials, practices, warm ups.

In other words, we Need, the experience! 

 

 

The first is always a test, a trial.  We learn a lot from this one.

The second is the second trial.  ……  “learning more.”

The third we are getting in the groove.

#4 Hey!  Things are going much better.

#5 You really do see improvements from #1 to  #5 or 7.

 

And to be honest, really,  that is   all we can expect from ourselves.  

To see improvements,  with the practice and over time.

 

 

 

My Suggestions

“My”  way,  is not the only way to create,  to paint.

 

There are many ways to paint landscapes, many ways to paint water.

This is just one simple way for watercolor beginners to get started.

 

To learn in easier steps, some basic watercolor techniques of trees, water, landscapes.

In an impressionist approach.

Simple, fun, enjoyable and with pleasure.

 

 

 

 

 

 

 

Unified Palette: indigo and raw umber

Unified Palette: indigo and raw umber

A very simple watercolor landscape.

No bells or whistles. Just two paints.

Indigo for a cool, dark. Raw Umber for the warmer, lighter color.

 

impressionist landscape trees, golden trees in watercolors, indigo daniel smith watercolors, watercolor beginner tree techniques, debiriley.com
Unification thru Limiting the Palette

 

 

 

Impressionist Watercolor Landscape

 

 

My processes

 

Color Selection.

I decided to paint using a very reduced palette to help with unifying the image.

I needed to select a warm and a cool.  Making sure one would be super dark, and the other a lighter tone.

Having that criteria in my head,  then made the selection much easier.

Raw Umber fit the bill for the warmer and Indigo for the cool dark. Done!

 

 

Subject Theme.

“Easy.”  I wanted fast and easy.

So,  Trees.

 

 

 

Getting Started.

  • Mixed up and tested colors.
  • About 5 minutes or so.
  • Applied a pale sloppy wash of Raw Umber for the background area.
  • Flicked the brush, so it wasn’t as wet.
  • Loaded a much thicker, stronger, denser application of Raw Umber onto brush
  • Then charged that, into the still very damp background area.
  • voila !
  • trees  are beginning to emerge
  • Next, was the Indigo
  • this was a Dry Brush application across Foreground area
  • Last step, the “tree trunks”
  • Using a wooden skewer  point,  to unify
  • joined the Indigo into the Raw Umber

 

 

When using the skewer,  just make sure  that the trunks weren’t all “rigid, straight”

but had some movement going on in them.

 

 

 

 

You could try this, it is fun!

 

Most any color duet would do…..  one to be warm and lighter; the other is cooler and darker.

Burnt Sienna and Phalo?

Light Red and Prussian?

Prussian blue pb27  and Raw Sienna?

 

Its great for a fast and easy,  Simple, little play with colors.

 

 

 

 

 

 

 

Obsidian Depths, Cerulean Shallows… river in oils

Obsidian Depths, Cerulean Shallows… river in oils

Lured by the Colors. But looking for gold.

In the obsidian indigo depths and the cerulean shallows.

I find the colors pleasing. Soothing. Melodic.

A beautiful summer’s melody you can only hear if you stop and really listen for it.

 

oil painting on wood board, abstract river in greens, indigo blue, cerulean and cobalt green paints, debiriley.com
Cerulean Shallows & Obsidian Depths

 

Abstract Oil Painting on Wood

 

Where is the gold?

Hidden underneath.

Unseen.

 

 

 

 

We have to dig.

Search it out.

 

Or we will pass it by.

 

 

 

 

Findings from the storm

 

The storm rages.

Torrents of water flood downstream.

Carting along the dirt, the sand, minerals, and gold in its wake.

 

The dark currents of indigo, churn the minerals and sediments as they slough off the hillsides and course down the river bed.

The dense nuggets and flakes of gold bounce along, buffeted, finally settling.

Into little protected pockets, small little envelopes.

Perfect for resting in, perfect for hiding in.

 

 

So its right after a really  big storm….

that is the best time to go on your gold quest.

 

Give the water time to settle and clear.

Then head for the hills.

There’s new gold, in the river.

In the obsidian depths and past the cerulean shallows.

 

 

 

 

Oil on Wood

I had a lot of fun playing with oil paints, this time using an old wood board.

It was quite beaten and rough.

The textures of the grain show through.

 

Diversifying my painting supports is a great way to both challenge myself and to obtain something unique.  Something worth repeating.

Its a risk!  I win some, I lose some.

But, I never know unless I give it a go.

This worked out nicely with river like textures showing through.

 

 

How the paint was applied.

The old wood board was primed and gessoed, then allowed to dry.

Time to paint….

White, Winsor Lemon, Indigo, Cerulean oil paints were used and blended together.

I used an old stiff paint brush and cotton rag to apply the paint.

With a dominantly horizontal directional movement, slightly angled.

 

Tonal Values:

By limiting the colors and ensuring clear tonal values within, the image even as an abstract – holds the eye.

While the my previous art painting Watercolors Inspired by Peace – was a great example of what High Key is,   this painting is a good representation of Low Key.

 

High Key: a higher ratio of White, Light and Mid tones rather than Darks.

Low Key: a higher ratio of Mid and Dark tones rather than Light/white tones.

 

 

 

Partner Posts

Gold n Umber River

 

cerulean landscape

indigo  vase contrasts 

indigo imagination 

river runs

face of a river 

 

 

 

Points I like about Obsidian Depths….

I love this color palette

The specific color selection creates  “A  Mood”

 

It is Simple,

yet my eye can be at ease within it for quite some time,  Resting

 

Our eye is zoomed right in to a small space within the river,

Zooming in, makes it  feel – Personal.

 

The wood’s texture worked for me;

it helped to provide the front dark eddies on top of the cerulean

 

 

 

Without the obsidian band (indigo) this image would fail.

Without the few tiny, fragile snips of golden flakes it would fail.

Without the color’s edges being properly blurred, it would fail.

Without the Square format, it also would fail.

 

There are lots of things to ponder before we paint, as we paint, after we paint.

But.

These things, should never take away from the fun and freedom,  the spontaneous creativity we have while we paint.   

Its always,  much more important … to just paint.

 

 

 

 

Impressionist Watercolor Hills

Impressionist Watercolor Hills

One painting – 3 views.

It never ceases to delight me how with just a simple little change – a subject can be significantly altered.

A tiny miracle within my grasp. I like it.

 

 

Watercolor Hills

view 1

I’ve always been rather partial to the square format.

impressionist watercolor landscape, outdoor painting hills, loose colorful landscapes, debiriley.com
Impressionist watercolor sketch 1

 

 

view 2

Panoramic

 

 

impressionist waqtercolor landscape sketches, watercolor outdoors, debiriley.com
Panoramic view 2

 

 

view 3

vertical format, this one looks interesting.

 

impressionist outdoor landscapes, watercolor painting outdoors, daniel smith indigo blue in landscape paintings, debiriley.com
Vertical Format, Watercolor landscape

 

 

 

Reference Subject was a small hillside will stubbly shrubs.

Grey greens and a creamy buff.

From which my mind’s eye made the leap to “Indigo” and “Buff Titanium” in  Daniel Smith watercolors.

hillside in western australia, debiriley.com
The Hillside

 

 

 

Capturing Color #2

Capturing Color #2

Scarlet Red, Purple and Indigo Blue.  Lively….. And Lovely.

“That old shack has been  “re-colored,”  you know.  Its had work done on it. Mutton dressed up like lamb.  And,  Thats not natural!”

digital painting, shack textures, purple and red palette, debiriley.com
The Shack, geometric shapes (c) 2016  Debi Riley

If you missed Capturing Color #1 have a quick look.

 

 

Colors To Make You Dance!

 

Oh, Those colors!

Scarlet. Indigo blue. Purple.

They’re not all soft and dreamy.  No.

But they sure do make you  want to get up and dance.

I smile. And think of the mature, ladies wearing their RED hats and their Purple dresses.

I say,  ‘Go Get’em ladies!’

 

 

Colors Like a Lorikeet

 

With bright new colors;  colors like a Lorikeet.

Some days, I tell you, I’d like to do that to myself. A bit of lippy, some blush, a new pretty frock.

And don’t forget The Hat.

 

But I’d never be quite so bold  nor quite so loud with my clothes.

No. Not like a lovely Lorikeet.

YET.

 

I’ll have to think some more on that.

But-  you know,  I am an artist.   I could, quite possibly…. get away with it.

Purple, turquoise, indigo,  scarlet. And golden bronze.

 

 

Capturing Color  – The Shack

 

Back To Work.

The photograph of the shack has a pleasing design with its interesting shapes. And when you look close… the textural effects are really cool.     This,  is quite opposite of my Part #1 Capturing Color isn’t it?

 

I do love this old shack.

Its not just the colors.  The actual shack is rather drab in naples yellow, shredded and peeling.  Driving past it daily on the way to work, it intrigued me.

Wouldn’t let me go. Until I took its photo.

 

Its not natural.

Its been re-colored.

Its a really old photo, dressed up to look younger.

Its had WORK Done on it.

 

And what fun it was!

 

 

 

 

Geometric Shapes

The really exciting element here, is its geometric shapes.

Thats what actually drives the whole design.

 

If you look, you’ll see the square shape of the window. The circle on the pole.  Several triangular shapes.  There’s an oval in there too.

Vertical, Horizontal and Diagonal directional line movements create tension and balance as well.

 

 

Textures!  

Textures galore. Have a Look.

The overall ratio and balance of texture is great.    The roof and roughed up wood of the Indigo/Turquoise is sensational.

 

 

COLOR

So,  Yes.  At first glance,  all we really see is   Color.

Colors that are jumping and dancing for our attention.

But what holds our eye is the good Design.

 

 

Finally,

I’ve given it some thought.

I think for right now, I’ll just buy a scarf.

Indigo, Scarlet, Purple and Bronze colors can be captured that way.

Works for me,  today.

 

 

 

The Wild and Beautiful – Indian Ocean

The Wild and Beautiful – Indian Ocean

In breathtaking indigo, cobalt, ultramarine blues and turquoise, the Indian Ocean captivates.

A wild tempest, lashing cyclones off the shores of Western Australia one day;  a sweet kitten the next.

So wild. So beautiful.

 

indian ocean photos, debiriley.com
“Four Faces -The Indian Ocean”     ….debiriley.com      Canon photographs

 

 

 

Beautiful Ocean

 

With a myriad of faces and a dazzling display of hues,  the Indian Ocean has me content in artist paradise.

 

 

 

Creative Inspirations

 

For insight, into my art  image I thought I’d share some of my thoughts.

Some of the creative and artistic  processes, images, feelings, that were going on at the time.

 

I was inspired in this creation,  Four Faces of the Indian Ocean by a number of things:

 

 

 

 

 

 

They each –  played a subtle role, influencing me.

Their faces filtering in as I reinterpreted my adventures along,  The Wild and Beautiful Indian Ocean.