The Arts in Perth: nurturing the self to foster creative identity and confidence.
What do I do? I teach art? perhaps. But at the core, the reality is I am sharing something far more important. I’m more of an encouraging ‘creativity mentor.’ A coach. I love to share artistic pathways that help the individual reclaim their innate identity, power and confidence. Balance through the arts.
Once in a while, I come across a client who has an ease within themselves straight off the bat.
This is not the typical beginner response. But their comfort at communicating, at expressing in paint playfully, in pure joyful Freedom – is Different.
It sets them apart.
They already are absorbed in the process. Totally engaged with the physicality of the action. In the act of painting all on its own, with no thought of reward or product or result.
That in all my experience is so, unique.
It is, in my opinion the highest benchmark of An Artist.
Today, for my first true, post back… I’ve featured Paola (a client) and each of the art works seen belong to her.
Paola hasn’t been with me for long period of time, a couple of terms is all. She first came to my course “Draw, Print, Paint.”
This was an intermediate to advanced level course. Not specifically designed for a brand new Beginner!
We drew…..in a loose, bold, super fast and free approach.
Extremely Non traditional.
No – straight lines! No – rigidity.
No – erasers. Are, your eyes open yet?!
No – concern over flaws, imperfections, wrong angles, etc.
Simply, drawing big and bold with a fat black Sharpie marker! The concept was to have Fun and to play.
On cheap papers. This diminishes fears “of wasting money.”
Loose, and easy…. watercolor painting
Paola next booked into Watercolors: Loose and Easy.
Once again, the course was not specifically designed for complete beginners.
But once again what Paola envisioned and created, was captivating. Her extraordinary absorption in the process is fascinating to see.
Each brush stroke, deliberate and meaningful.
The color was stroked upon the paper, and left. Alone.
Where it melted and merged and vibrated with its fellow notes.
There was no fiddling. No over working. No excess concern over flaws and imperfections in paper, paint, or marks made.
They were made, and then… let go.
She has a wonderful ability to find her own place of safety and security within herself enabling her to simply respond in creative liberation. Without a lot of coaching, coaxing, guidance from myself.
I’d like us all, to be able to feel that free to express our own voice, in our own words, without fear of reprisals. Of being called out for some perceived small imperfection or ‘mistake.’
Well….. we are, Human!
One of my personal, favourite words and philosophies over the past couple years has been, and is – Wabi Sabi.
If, you look it up you’ll discover lovely beautiful things about it.
The concept is that there is beauty to be seen and found, in the Imperfect. In the unfinished. And in the Impermanent.
I’ve done several series and posts on The 7 Days of Zen, and wabi sabi elements you might have a read on if you’d like.
Creativity requires a sense of ‘safety.’ Our creative imagination will refuse to come out to play, until it feels secure. Safe. When it knows it has the utter freedom to be authentic, its own self, imperfect and flawed as it is!
We will not, see fresh new inventions, new medical, tech, science breakthroughs – in environments of stress, fear, negativity. The fear of being vulnerable to attack, causes the creative side, our clever side to stay hidden. Buried.
Trying to excavate the hidden creative buried far beneath the layers, deep in the crevices, that almost nothing can pry out – can be exhausting work. It takes immense patience. Time.
And sometimes, someone else’s eyes to see that gem and make mention of it, softly and kindly. Repeatedly.
At work, what I really do, is: I campaign against fear.
It is Fear, that so often leads many to replicate someone else’s words. Or their looks. Or opinion. Or someone else’s painting. There is No need!
My philosophy is:
“YOU, Are absolutely every bit – just as interesting, good, valuable and faceted – as Monet/Madonna/Oprah or whoever it is that is being copied.”
Probably more so. Please let us in, tell us your story.
Thank you Paola,, for so kindly and with courage, allowing me to feature your work on my first post back. I am grateful. Debi
All the things I aspire to be. To become. He is a good role model.
I don’t want to copy him, but to emulate his outlook. His creative, approach. That is enough.
Leonardo and his Mona Lisa, his Last Supper, his Sistine Chapel… such glorious works of art.
Even so, with all that ‘artsy stuff’ he had going on, Leonardo also thought about other concerns. His art did not solely revolve around pretty shapes, tones and forms, wondrous paint colors, lush curves and delightful wine lunches with art friends.
The times he lived in were…. rough.
People lived on the edge. They weren’t relaxed, not on the whole.
The surface you saw, skimmed over, might look smooth.
But below, churned the worries and stresses of looming disasters.
No one was safe. Everyone had to agree, had to toe the line and speak a certain way.
One misconstrued word could brand you heretic, sending you to the Tower, to the pyre, or into exile if you were lucky.
Yes…. walking to a sick friend’s home to lend a hand, on a Sabbath was punishable.
Hanging some wet washing out on the laundry line on Sabbath- was punished.
If you had some money, you were fined.
No? the stocks, the lash, would do.
If the authorities were being charitable they would only make you wear a placard upon your body around town, stating what a ‘damned’ thief, harlot, heretic, unrepentant soul you were.
Interesting times. Indeed.
Weirdly, Wonderfully Out of the Box
Can you then, just imagine the level of Leonardo’s inner courage to be himself.
To plunge ahead and write, paint, speak out the way he did?
The support is a canvas pad paper, you can see its woven texture quite well throughout the piece.
I enjoy the freedom and the creativity that painting in monochromatic palettes allow. It seems like I might be restricted, constrained by only permitting myself the one color to use. But I find it is utterly freeing.
Blue Ice would never have emerged, had I not set myself a monochromatic theme. And I am very pleased with how the painting, Blue Ice finished up.
Enso….. It is a circular form drawn and painted, while in the midst of a quiet contemplative state of mind.
when, the mind
permits the body and spirit as one,
The Enso, it could be…. drawn in the dirt or sand.
Or done with a brush using water only upon a footpath…… to vanish within mere moments.
Very Wabi Sabi.
The purpose of the Enso is or could be, about causing the artist to focus on the Inward journey.
To think. Contemplate and become more aware.
It isn’t actually about producing something for show and tell, for sale, for display, for others.
Enso…… its about the intriguing inner journey we all walk, step by step, each day.
I believe Enso symbolises –
The Circle of Togetherness. United, connected, in harmony. Oneness.
The Circle of Awareness ie “Enlightenment.”
Its about feeling.
Its is about en-lighten-ment…. The light of understanding shining suddenly upon you.
It is about letting go.
It is about self reflection, contemplation, peace – serenity.
Not wasted, not empty.
Its about making each step, every breath, every brush stroke, each mark made, every step taken – mean some thing.
Enso is a single, thought filled ……. studied brush mark.
A brush mark upon a surface in a circular form.
No need for ‘perfection’ – full stop.
The need, is for the aiming towards unity, oneness, balance.
The Enso is the visual culmination of an enlightened moment, a space, a place in time.
The Enso has phases as the ink on the brush, slowly runs out.
The first 1/4 of the stroke is usually full, dense, dark, thick, even having blobs.
The next phase runs smoother, finer.
By the 1/4 mark from the end though you’ll see a rapid decrease in ink.
Often giving a wispy tail effect on many enso drawings.
These things are dependent, upon the paper used and the brush used.
As well as the individual artist.
Gather the art supplies. inks, brushes, papers, canvas, paints, etc.
Contemplate, be meditative about the enso image you desire to make
FULLYLOAD brush with the ink, paint required for the entire, enso
Breathe deep calming relaxing breaths, inhaling exhaling, til…. Relaxed
Draw the enso shape – Using ONE long, fluid, stroke…….. just 1
If, you wish,add your thoughts, words or verse to the image
sign it; as you do, think about balance & harmony of placement
you can use canvas, papers of all sorts… rice paper is fabulous, bamboo, cotton, silk, etc.
you could deckle ie tear the edges of the paper to make it look more weathered, decorative, wabi sabi
using metallic powders ie copper, silver, gold, sprinkled into the ink or watercolor could add dimension
or you could draw the enso over a Pale, tinted wash of watercolor – just make sure the ink you Enso with is deep dark enough to go over the w/c wash & provide Good Contrast!
ENSO Benefits and Learning Outcomes
A primary benefit is it trains us to be more mindful of our brushstrokes.ie not to fiddle.
Reminding us,every single brushstroke and mark we make,needs to Count.
Needs to mean something.We become more aware of this, the more often we practice Enso.
Bottom line is: we get paintings with far less Mud, far less overworked paintings, more decisive bolder,stronger artwork when we partner up, with enso practice.
Creativity and Imagination are developed, strengthened. Made into super highways in us rather than the meager little goat tracks they once were.
The enso shape,the simple circle, permits the mind to wander.
To wonder. To Imagine. Unlike the box like rectangle, that tends to restrain us, confine us. Keep us in our place.
The circle, the enso invites creativity.
And by inviting creativity we actually … perform better.
The practice of this form of art, helps the artist in these ways:
Developing a sense of calm, using a new, clarified approach creating art.
Finding, seeking out the connections…. (within the subject, within the larger picture, within the self)
Stillness. Contemplation before creation results in a stronger image ie Result.
No fiddling. Means No Mud.This, transfers over into all your painting efforts.
Relaxation.It is in the peaceful non-stressed state,we are freed to be Creative.
Concise, Meaning-Full.The practice of enso trains us to make every mark,count.
Begin to think on the content, the deeper message of your art.
one stroke.This, teaches us restraint. A wise &Masterful use of tools, materials, resources.
In The Creative Zone.Fully present in that moment. no where else. Where you areconnected to the art, to the tools – materials, the subject, the self, the mood/feeling.Enabling you to convey those things onto the paper.
Enso … to me,is a frame of mind where we are Calm. Measured. Purposeful.An ideal space to be, when we want to really truly permit our creativity, imaginations free.
Pairings……LunarBlack+phaloIndanthrone+Ultramarine Indigo+CTB Perylene green + Zoisite (or Mayan Blue)
Artists, References, Sources
Full of information, techniques, guidance his calm, kind and thoughtful approach to art transfers easily to his students and audience. Definitely a Master. Kazuaki’s enso paintings are unique, creative and so soothing. He has workshops, worldwide California to Italy. Plus, offers online courses.
I love his work. And simply have to say you’ll love it too!
They are necessity the part of yourself that you could not expect or design beforehand.
Thus, the realm of your creativity grows wider.”
A contemporary artist, uses gigantic brushes effortlessly. The smallest of brushes, and fingers, hands, cardboard, pastels, inks, acrylics…… seemlingly, any tool, any media is handled with ease. Ahhh…. once again, A Master well worth going to have a further study with!
Hiroyuki, blends Japanese calligraphy “Shodo” with nature, with Zen, with Tai Chi movements. It is really, a performance art. Something to Watch, not merely look at.
Shodo: the Quiet Art of Japanese Zen Calligraphy by Shozo Sato ISBN13 9784805312049 is a beautiful, hardcover book with large expressive illustrations and instructions. Available at Abe books online.
Enso, is a pathway that can lead us towards awareness, towards illumination.
I once explained Enso as a way to enjoy art more, to engage in the process more. That we could think of it, in a way, Like eating a meal.
We can either quickly bolt down our Thanksgiving banquet.
Or we can fully engage in the savoring of each dish we select to partake of.
It is an awareness of what we are doing right then.
It is a way to enjoy things …more.
Extracting every molecule of enjoyment from the moment that we are able.
To Live. Not merely exist.
Becoming More aware of our steps, of our marks we make.
The more I train myself to look at things with simplicity, harmony, clarity, balance, acceptance in mind The better my art work will be.
It can’t help but to improve.
Because I am training myself to fully engage, to fully observe, to be fully aware. This is conveyed to the viewer.
This is, I guess, philosophy of sorts.
But, it is art.
And an integral piece for me.
And as your art becomes filled with more variations and content, and more depth; you too, become more.
Enso. The two Kanji symbols that create the word, enso translate as Mutual Circle or Circle of Togetherness.
The symbolism of an enso might refer to: the beginning and end of all things; the circle of life; and the connectedness of existence.
It can symbolise being full or empty; presence or absence.
All things might be contained within, or excluded by its boundaries.
It can symbolise infinity, the “no-thing,” the perfect meditative state, and enlightenment.
Often it represents the moon; the moon being a symbol of enlightenment.
The Enso can also represent the moon’s reflection on water, symbolising the futility of searching for enlightenment outside oneself.
Enso symbolises so much more:
The acceptance of imperfection as perfect, the universe, single mindedness, strength, elegance and, the state of mind of the artist at the moment of creation.
The circle of infinity and the cyclical nature of existence, simplicity, completeness, endlessness, perfect harmony, the oneness of life and all things contained within it, the absolute fullness in emptiness, the spirit of harmonious cooperation, the visible and the invisible.
The enso is a universally known symbol of wholeness and completion; “form is void and void is form.”
When you take the time, to study the enso you see that form and void are related….connected.
And, in fact, define each other.
It is a fascinating expression of individuality as expressed by variations in ink tones, brushstroke thickness, shape of the circle.
And even the positioning of the single point where the circle begins and ends.
There are so many definitions available, that each of us is left to select or create our own definition of enso.
Opening in the Enso
The Enso may be closed or painted with an opening in the circle.
The open enso might symbolise that it is not in isolation, but is instead, part of the greater Whole. ie “Circle of Togetherness.”
The open circle reflects that the enso is not contained within itself: but opens out, into infinity. “Infinity Circle.”
The Open Enso can also suggest imperfection. Imperfection as an important, necessary, inherent element to our existence.
The Enso can be the open circle of emptiness in which the self flows in and out while remaining centered; or it can be closed.
Allowing the enso to remain open, is as if we’re allowing room for the spirit to flow in and out of the circle; allowing it to Breathe.
Breath and emptiness are essential ingredients for meditation, contemplation and the creation of a spiritual life.
Drawing the enso is a contemplative meditative. An inward process.
Meditating in silence for lengthy time period, before picking up the brush and paper is a common routine for the zen artist.
The Enso is done quickly. As a manifestation of what existed within the artist’s mind already.
Enso is a Zen symbol of the imperfection of all things.
The natural occurring imperfections of the enso, drawn by man’s hand not machine, nor helped with precision based tools – make the enso a beauty of natural perfection.
Perfect as it is.
In all its flaws, all its imperfections.
The Enso, teaches the student to cease struggling.
To abandon the compulsion for Perfection.
To permit things to unfold, as they will.
By embracing the practice of Enso, even if its only occasionally – it can help us not just in art, but every day living.
In making the most of each moment.
We are making marks. Every day.
Every action, step, word, look, art work we create is a mark.
A brush stroke, if you will.
The practice of enso, I believe, teaches us that our lives – are works of art – Or can be.
not that I ever ‘do what I’m told, or supposed to do.’
But, I am in the process of “inking up.”
That’s the start of the process.
Materials for Inking Up
I can’t help but love all my gorgeous papers, inks and brushes and stones. They’re just so lovely!
The Feel of them, is fabulous.
Slate grey, the ink stone is cool and smooth to the touch.
My Masa papers are slightly velvety, not rough, but with a gentle raspy surface. Which is perfect for the ink. It will absorb, but not act like blotting paper. Nor will it run off, unabsorbed. I’ve been happy with this paper and its sensitive, versatility.
An old weathered stick gathered from the Pacific NW shores, is worn smooth with the point bluntly tapered. Its not as sharply pointed as my new, fresh skewer.
The first provides a wider, broader line and mark. Perhaps for larger items or things less important.
But the thin, super sharp tipped skewer… it is meant for details. To pull the eye to something important. A focal point.
The chinese brushes, my hakes, and the flat Davinci brush with its silky bristles … lie in wait.
I don’t know yet, what they will be needed for. I’m sure they will let me know, when the time comes.
Time. Experience. Practice. Mistakes.
With these, you develop that kind of sensitivity to your materials. And to your subjects.
The stunningly carved head and face of the dragon – lion, really inspires me all on its own.
Contemplation, inked up
Every aspect, is considered.
I do immerse myself in the process, in the way of the brush.
In the way of the inks. In the way of the materials.
In the Feeling of the subject and materials.
It is, a very non Western way.
It is so much more in tune with the Eastern way of art.