Cerulean and Prussian Blue Pair Up

Power house Prussian  blue and sensitive cerulean team up beautifully together in landscapes, still life or abstract paintings.  Lights and Darks contrast perfectly on the full sheet,  22 x 30 inch cotton rag watercolor paper.         Prussian Blue   Prussian blue pb27 is a very intense strong dark midnight blue with aContinue reading “Cerulean and Prussian Blue Pair Up”

Tree Reflections in Watercolour

Painting trees is a fun and relaxing subject in any media, for me.  But, it takes a little time to chill out and de-stress  before you’re ready and able to impart the serenity of the scene.  Rushing to paint after a hectic day, frantic drive or traffic jam  has led me to muddy up moreContinue reading “Tree Reflections in Watercolour”

Acrylic Mixed Media Bright Floral

Bold cobalt and turquoise paired with rich orange & scarlets make a stunning pairing!   I haven’t sold this one as of yet;  I’d been “enjoying its company”  for a while.   It has a lovely fresh impressionistic feeling, very light and colourful. The process involved a loose drawing on sketch paper, then  taping plasticContinue reading “Acrylic Mixed Media Bright Floral”

Imagination is the beginning of creation

George Bernard Shaw’s brilliant quote, “Imagination is the Beginning of Creation”  is one I love. Calvin Coolidge said, “Nothing in this world can take the place of persistence.” Both persistence and imagination have been my ‘co helpers’ as I paint and create for over two decades.     Imagination and Creation   Imagination, creation, inspirationContinue reading “Imagination is the beginning of creation”

mountains

Loose bold free impressionistic watercolour mountains and hills!  Bold bright cobalt sky emphasizes the top of the hill providing a sense of heat, summer and sun to the landscape. Mountain in Blue is an inspired mix of cerulean blue, prussian blue with a bit of umber; then allowing some of the paint to drip downContinue reading “mountains”

Photos as Reference Material

Zoom into a flower with just the stamens, or zoom into a glass vase with just its reflections, maybe take a photo of just clouds only, or the ripples in a pool, perhaps in black and white, or sepia. In other words, take photos in a way you have not tried before nor have seenContinue reading “Photos as Reference Material”