Broken edges aren’t really soft blurry edges, yet they do provide some ‘definition.’ Its not as clear, as defined of course as the super sharp edges and so the broken edges serve as that ‘in between’ edge. A transitional edge. Very useful to know and to use.
The image has barely any hard, sharp shards of pointy edges to poke me with.
The hard edges that do exist, serve a function.
To bring the viewer in, to that focal area.
Those hard edges take up maybe 1% of the image.
Enough. But not too much.
Additionally, you might note… that the hard edges are set and used amongst curved lines and forms.
Not stiff tight angles and rigid straight lines.
(Those, lead many beginners – to be even more rigid and tight, and less relaxed.)
Color and Edges
So it was primarily with color and edges I was able to create an atmosphere of relaxation.
Simplicity of design, helped as well.
I’ve created several more acrylic abstracts with cobalt teal blue pg50 that I’ll post later in the week.
A week of cool and inviting, relaxing and peacefulness in cobalt teal blue will be lovely.
Nothing but Fun today. And, Look at those shapes and textures!
The subject in mind – the beach, sun and sand, waves and water.
Cool and inviting, Cobalt Teal Blue beguiles, again.
Cobalt Teal Blue pg50 is an Opaque category pigment. Its not translucent or one of the paints that make a wonderful clear ‘glazer.’
Such as the Staining pigments: Permanent Alizarin Crimson, or Quinacridone Sienna, or that lovely versatile Prussian Blue pb27. Nor is it one that is in my ‘go to’ list, for super easy paints to mix with either.
But it has its charms.
Cobalt Teal Blue in its watercolor form, dilutes down (ie heaps of water) really well. At its palest, CTB can be a fine and delicate blush of fresh, minty green. In acrylics, mixed with white, it then becomes a nice pale minty green too.
Cobalt Teal Blue’s best asset, in my opinion, is its amazing ability to evoke immediate, emotional responses.
CTB creates beautiful atmosphere, mood and feeling.
Cobalt Teal Blue makes it nearly impossible not to feel it.
Cool, calm, relaxing and Refreshing. Inviting.
This is an interesting thing:
On one hand, It is a cool color.
As a cool, it is calming, serene, relaxing, etc.
But…. unique to this color, is that sense of playful invitation within the color waves and vibrations.
This is really why I use it.
For that unique quality that provides such a duality to the viewer.
Ideas From Your Surroundings
One of the ways I paint abstracts is simply gathering ideas from the surroundings.
I look around a couple minutes, and there they are.
I see my supply of shapes, textures, colors.
But, you ask, “What am I Looking For?!”
Look for Geometric Shapes
Shapes rise up as circles, spheres, or squares, rectangles.
Industrial sites are really great for this.
So too are houses.
Look for Color that Grabs you
Find the colors that jump out, to you. That shout out.
Color, for me…. always, leaps out.
Look Closely, for Textures
The textures of surfaces – must be ‘inspected’ though.
At first glance, we’ll all assume and assign in our minds, the shapes a flatter, more even and uniform appearance.
why?….. its easier for our minds to file and catalogue these things quickly that way.
In order to make our paintings have a bit of interest and vitality to them –
We need to look further, deeper, into things.
We need to make ‘observations.’
We learn to delve into the textures, the intersections, the patterns, the variations, the gradations, the transitions – so much more – leisurely.
A lovely word, “Leisurely.”
Harmonious, Contentedness, Relaxed.
A purpose is there.
It is simply not fulfilled in a “I’m juggling 59 balls at one time,” hurried fashion.
And while in this Leisurely Mode, we become more present in the moment.
So that our eyes don’t overlook what’s right before us.
The aim of art I think, is to create a thing that has some life force energy in it.
Imparting bits of our own energy into the creation is all part and parcel of being an artist.
And then hopefully, this will be enough to inspire the viewer to give the image a real look.
Not just a passing nod.
To Inspire: is to breathe life into.
The viewer must be inspired by the life force energy within the art, in order to feel compelled to reach out, connect, to touch the art.
A creation filled and layered with emotion, mood, textures, color, tones, nuances…. has a vigor and energy we all want to get closer to, to connect with.
Originals hum with a spark of life energy that replications, duplications, copies don’t.
We have to impart our own life force energy into each of our creations, for the viewers.
“Its true, sometimes, we won’t win
when we are creating our Original artworks.
That is quite alright too.
We Learn, instead.
Which is, of even more value, truly.”
While at Scarborough Beach, my eye caught on this unpaved sphere.
A ’round a bout’ that’s not quite finished.
I loved the shape, I loved the tonal values within.
I absconded with the shape to use in my Featured Abstract painting.
The sandy beige of the inner circle was so pretty, I thought.
A warm against the cool grey concrete, lovely Contrast.
The ocean teal water was so beguiling… So cobalt teal blue. The white and buff of the sand and surf looked gorgeous as well.
It doesn’t matter in an abstract ‘how’ the shapes or colors are used in the sense of them looking like a car, person, tree, roof, etc. The point is using the surroundings as inspiration for the abstract to get you going.
The Featured Abstract painting was enjoyable; it was pretty simple and fast in execution; and I used color and design ideas gathered from the beach trip.
I don’t mind at all, that it is not, “The Masterpiece.” (maybe next time!)
It is a quirky piece, unique and was certainly fun to do.
Its easy, fast, less hassle. Less likely to get muddy. Better chance of getting my tonal values right.
But maybe next time, my palette might be: buff titanium, white, cobalt, cobalt teal blue CTB, cerulean and ultramarine blue. They would all harmonise really well together and fit into the sea surf theme perfectly too.
By turning it over upside down and around, cropping the sides, turning it into a long vertical, etc. creates improved designs.
And while, I still might repaint over this at some stage … for now, I can leave it.
Let it rest. While I think about it.
I’m not in a big hurry.
The waves are pleasant and breeze is warm, the sand feels so lovely and soft.