In life, so it is in art. The loud, the shouting, the bright, the brazen are often who are heard. The only ones heard, listened to.
They trumpet their wares with sharp edged precision.
Those that speak in softer tones without the sharp, hard edges often become the wallflowers.
In life, so it is in art.
Soft Spoken Art
But can I turn that around? I’ll do my best.
Come, see these subjects that speak deeply, thoughtfully, with Feeling…. in their soft spoken, abstracted like beauty.
Where the images came from
I’ve been on a quite a few short zen strolls, those were lovely. And a some hard, strenuous hikes recently.
With camera and lenses in hand, I’ve been hard at work!
From – surfers gliding the transparent cobalt teal sea, to the glorious Indian Ocean sunsets, to the zen hike at the zoo.
And of course, my yesterday’s zen stroll around the block, finding a myriad of surprises.
My activities have accumulated 5000 photos in just a couple weeks.
From the many, there may be a few that speak in the tones I wish.
Now, for the culling. Not. As fun.
But now I DO have ample material with soft edges for today.
Fear of Soft Edges
Soft edges are hints, suggestions and nuances.
Blurred lines and shapes, that open and envelop. Soft edges are not defined.
They allow the melding of ideas, of tones, of colors, of movements to blend together – whether in song, or in dance, in poetry or in painting.
Soft edges allow our imaginations to soar and our intellect to query.
Many modern artists, those just starting out, may have a fear and an apprehension with softness of edges. I did too!
Perhaps, there is a misunderstanding.
Perhaps there is an uncertainty in the use, in the placement, in the application and techniques.
Perhaps softness does not resonate within some….. and their unique personal art style is a harder style.
Maybe more like Ellsworth Kelly, Escher or Mondrian. It could well be.
But for the rest of us, this apprehension of those Soft and ill defined edges, is there. In masse.
We don’t have to be afraid of soft edges.
Whether we dance, cook, paint, draw, sing, or write.
We don’t need to have it all spelled out, leaving nothing for the imagination, for the intellect.
We may tell ourselves we need it.
But isn’t it really, truly, because it is Faster.
To have the thing already defined for us?
Already spelled and mapped out.
A premade item all we need to do is pop it in the microwave to consume?
…. for the most part, I’m thinking, yes.
This, is a major part of our Fear of soft edges and ill defined things.
Just the realisation that our compulsion for Faster, for Easier – is all the fear is, goes far to ease much of that fear from us.
In truth, many times, we simply create our own fear because we want something …. Immediately.
Hold on, Not so fast!
It takes, on average about 10,000 hours.
To become skilled and master a subject.
We do need to want this skill passionately enough to do the time.
Inspired by Subtleties
Let me show you, why many times I am so much more inspired and awed by the background of an image, when it is so with excellence.
When the background – becomes the piece de resistance.
DESIGN and DEPTH
For maximum depth, we need a Sliding scale of blurred and sharp edges.
Variations and progressive gradations in those edges.
Smooth and Seamless is my ideal.
The Focal Point, most always needs the hardest and sharpest edges to draw the eye to it.
The middle ground is less sharp. The background – can be a wide range of blurred edges.
A sea of melting, merging colors, shapes and tones.
Soft edges are a perfect backdrop to create more depth, more distance, recession and perspective.
They also hint at open windows, doors and open arms. Open minds.
Cool greens, greys, lilac purples look charming. Woodland violets’ blurred softness throughout evokes a clear mood, a feeling.
We have such an abundance of soft edges here, it denotes perhaps a forest dreamscape.
This has a very high ratio of soft edges to sharp, about … 96% soft blurred to maybe 4% sharp/harder edges.
Back in the studio, glancing from the vase to outdoors – we get another perspective.
Speaking with softness, doesn’t mean to go unheard.
But to choose, with care where the tones, lines, and edges go.
Sharp and soft. Those edges, they are as if they were your words.