I enjoy Nature. I love becoming absorbed with the small snippets and microcosms that segments can offer our eye and our imagination.
It stirs. It Inspires!
Combining Loves, Watercolor and Trees
Its no secret that I adore trees.
A Tree Hugger, at times. You look through my posts, it becomes evident. The post Tantalising Tree Bark is one example!
Smooth gleaming branches that curve gracefully.
Roughened sandpaper, magenta red cedar with its delicious scent.
Bright lemon lime willow foliage languidly trailing leaves into the brook below.
- Yes. I get up close and personal with my subjects!!
- Yes, I ‘befriend’ my trees in order to portray them as I sense them to be.
- As they portray themselves to me.
Can I paint Madonna, Obama, Elvis?
Or The Major Oak of Sherwood Forest? The stunning trees of Tibet and Mongolia? Niagara Falls?
But, it would be without authenticity.
I do not KNOW them.
How can I impart feeling and character, their spark of Life, if I don’t know them?
But I can paint with passion, feeling and depth Grandma Tingle of The Ancient Empire;
the mist shrouded rainforest of the Olympic Rainforest;
the welcoming branches of the Angophera grove;
autumn colors along the banks of the Colo River in NSW.
Those subjects, yes, I can pour feeling and emotion into them.
Maybe, I can no longer go for those walks….. so, then what would I do?!
I would not let that impediment stop me from painting subjects I know and love.
My House is full of items I love and know!
What I have touched…. I can express.
I’ve touched them.
They have touched me.
I’ve Breathed their air. I’ve Listened.
And walked the same earth that they have.
I know them.
But, it did take my time.
And my energy to do so.
I Invested in them.
And, they in turn –
invested in me.
I really, Know That Tree!
She was a frequent resting stop point, in my walks in the Sydney St. Ives bushwalks.
Subjects Touch You; You can Touch Them
My heart has been touched and its as if their song still sings within.
This is just how I am.
And its How I need to create my art.
My brother, he creates strictly from photographs.
He uses a very hard lead pencil and his art images will take up to 9 months to complete. That is his style. He loves this way, and would be frustrated trying to use what works for me.
We all are different. Thank goodness.
We need to create art differently.
Methods I Use For Trees and Bark
When I’m after Texture, I normally choose a Rough surface paper to help hold and create more textural effects.
Not always, just usually…. Unless I use Lunar Black paint. Then I’m happier with a Cold Press surface to create effects.
And, I am always happier with the better result coming from 100% cotton paper rather than cellulose, student paper.
I become so frustrated with that cheaper stuff I could gnash my teeth. Seriously. As I know, the sheer delight and sensitivity of what the 100% cotton provides.
Yes. I’m with you. I don’t like, I do not enjoy forking out tons of money on ‘expensive’ paper! But, I’ve learned that the resulting irritation, poor result, frustration from cheaper papers, just is not worth it – for me. I will pay the extra $3 a sheet, with a Smile on my face.
The selection normally is based on Granulating paints, when I’m focusing on Tree Textures and bark.
Paints that will help to create textural effects on the paper surface.
Lunar Black creates fabulous patterns and textures, so I love using it. Granulating paints: cerulean, viridian, ultramarine, cobalt violet, are a few.
Lunar Black by Daniel Smith is a treat to use. Mix generously with water for best granulating textural effects. Its wonderful mixed with many Stainers to create new beautiful colors. This ‘black’ isn’t flat. It is nearly transparent in its palest wash and is soft and lively.
Have a look at Your Watercolor Basic tips for posts on materials, papers and types of paints. It will also cover watercolor techniques. Wet and Dry.
application techniques wet or dry
Granulating paints must have lots of water with them in order to granulate and allow their particles to sink to the bottom, of the paper. So I either will dampen the paper first or use quite a lot of water with the paint.
Dry Brush. Using a Dry Brush technique over the top of a dry area, allow me to add more depth, dimension, texture and tone. I will use this approach towards the end of a painting if it is called for.
Background was begun on wet/damp paper.
Middle and Foreground were worked, as the paper dried.
This created the textures and details that belong appropriately to each area of the painting.
Backgrounds, middlegrounds and foregrounds can be handled quite effectively by controlling carefully, the amount of dampness you allow on the paper and your brush.
Background is more Damp which will create much softer, blurrier edges. Perfect for creating ‘distance.’
Middleground is only slightly Damp, helping to create edges that are medium soft, but with more control.
Foreground can be quite dry. This will help you create sharp, crisp edges perfect for creating the illusion of depth in the front.
I always need to remind myself that without 3 critical Tonal Values: Light, Mid, Dark my painting or drawing can not be successful.
It will be flat, without depth, form, or life.
It really is the single most necessary ingredient of all.
You can look at my featured Bark painting at the Top, and see there is a clear pattern of Light, Mid and Darker tones within the image. Thus, even as an Abstract – it works.
detail edges textures
If I’m lucky, and things have panned out well, most of these are pretty much done. I won’t need to ‘man handle’ the artwork and laboriously Fiddle.
I will only need a few final touches. No need to go overboard with a lot of ‘frou frou’ and frills.
Less is more.
However, it certainly a good idea to have some textures and details highlighted near the area of the Focal Point.
The Focal Point – The place I want the viewer’s eye to linger on. A dry brush, a few strokes (3) and that’s really all I need to do.
Materials in The featured Lunar black Tree Bark :
3 Items – Less, Is More
- Lunar Black Daniel Smith watercolors
2. Quinacridone Sienna Daniel Smith watercolors
3. Arches cold press paper 300 gsm
Suggested Posts to Read:
My Tree, Lunar Black