Grey…. Sometimes just the word, “grey” is enough to trigger thoughts of somber dark wintery dullness. When it comes to painting, we often transfer those same feelings, into how we mix our greys. The results can make or break our paintings.
I was a person who lived for summer and summer’s bright warm colors.
I intensely, disliked greys. The weather I lived in, being 300+ days of cloudy grey skies may have had some part in that, Perhaps.
Versions of Grey
I decided I needed to develop new ways to think about greys. New ways to define greys. New ways to see them and then mix them.
I started with my ‘labels’ for grey.
I made it a challenge to come up with phrases like: dove’s wing grey, warm charcoal, ash grey, asphalt, grulla grey, Toledo steel grey, light mist grey, etc.
Basically, I was observing and classifying the greys.
At that point, my inflection, perspective and interpretation of Grey changed.
We will all see color slightly different.
How I interpret color is dramatically different to the family. Mr. sees the carpet as ‘brown’ whereas I see it as pale cream, with flecks of silver, green, rust. Green, to him may be turquoise to me.
We are unique.
Greys became alive in my mind, and it transferred over into my paintings.
The greys had much more inflection, spark and nuance than before when I was just using dull neutral tints, etc. to get my greys.
Greys have a wide latitude
No longer dull, but with a wide latitude and open to personal interpretation, I now find Grey a color of great beauty.
Greys can be rose grey, sage grey green, blue grey, slate grey, grey brown, grey violet…. with many variations in between.
Greys do not need to be dead flat, neutral. But will help the painting more by leaning into and towards, the direction of a specific color.
Greys ‘should’ have a color bias.
Remembering that opposites, mixed together create versions of grey will help me obtain more color bias, and therefore more life spark into my paintings.
In the past, when I was first starting, I used paynes’ grey, neutral tint, black, etc. Premade.
But frustratingly – the flatness, dullness kept deadening my paintings. Back then, I wasn’t sure what was wrong with my greys, with my shadows, with my mixes.
But, after changing to other methods of mixing greys – I was far less frustrated.
The tree trunk, Above, has some lovely grey lavender mixes that are flowing down through the trunk.
Tomorrow’s post, Moet’s Monday, Greys I will continue and provide some of my color mixing recipes and tips that I’ve been happy with and can recommend.
My deepest apologies in advance!
For the next week, I’ll be on a very limited access to computers.
I will do my best to post.
Comments, might take a few days for me to be able to respond. Thanks!