Don’t arrest me…. The Murano, Venice glass pendant was purchased on a family trip to Italy. I’m safely, happily using the exquisite colours as a springboard for my latest artworks.
The Murano glass pendant has gorgeous textural patterns with the silver and gold filaments cracking and shattering in random areas. The blue colours make it stunning. The lovely cobalt teal blue, cerulean, ultramarine blue, indanthrone blue, indigo create a fabulous blue dominant piece.
Flickers of quinacridone gold and quinacridone sienna complement the blues perfectly. Throughout the pendant is a wonderful sense of depth, creating by the artisan’s skilled use of light, mid and dark tonal values. I love this pendant….
So, indeed – its not just about the Colour! The tonal values play a major role as well.
The Murano glass origins began in 1291 on the island of Murano, Venice. The story went that the artists were not allowed to leave lest they face dire consequences! Death or getting their hands amputated. Not many decided to leave apparently.
They were trades folk. Craftsmen. Not of the nobility. However, after some time, eventually their daughters were ‘allowed’ to marry into the nobility.
Wouldn’t that have been fun! Ahem.
Colours of Italy: colours – Cobalt Teal Blue, Quinacridone Sienna, Black. Created in acrylics using a brush and sponge on Masa paper; reminiscent to me, perhaps of a high alpine peak.
Inspired: once again is using acrylics but limited on the colour palette, the darker blue is a lovely Indanthrone blue pb60 and paired with a Cobalt teal blue pg50. I’d pressed some of my lemongrass leaves and stems into the paper before painting, leaving those areas much lighter.
This image, Gold Cobalt Teal Blue, also uses acrylics in cobalt teal blue, quinacridone gold and sienna and gold pigment over the top. I was aiming for a oceanic theme, hints of the Mediterranean.
I’m enjoying the concept of stealing colour, pattern and textural ideas from my gorgeous, Venice purchased, Murano glass pendant for my artworks.
As you can see though, I haven’t really, stolen anything! Merely used an object as an artistic creative springboard to launch from. And I’m fine with that. I’m still allowing my hidden artist to come out.
I think I have a few things I’d like to continue to do with these. Next step, will be to try a cold wax medium on these to enhance the colour, depth and tone.
Experimentations will have to wait for later in the week. But I want to see, if that technique will further increase the richness and luster to make it more glasslike. It might ruin them, but I’m willing to take the risk and find out.